奇奇av

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

An old, dying satanist arranges to transfer his soul into the body of a young concert pianist.

故事发生在很久以前，四川峨眉山千年蛇精白蛇、青蛇厌倦枯燥修行，化作妩媚少女白素贞（李炳淑 饰）、小青（方小亚 饰），游抵杭州西湖。乍观红男绿女，尽赏人间美景，两人流连忘返。书生许仙（陆伯平 饰）扫墓迟归，白素贞窥其风流倜傥、一表人才，顿生爱意。遂行风唤雨，以借伞为名，约许仙隔日相见。小青有意成全姐姐美意，待双方互倾衷肠后，她牵线为媒，即刻完婚。夫妻二人在镇江保和堂坐诊行医，悬壶济世，苍生得益。恶僧法海（苏盛义 饰）容不得人妖共眠，他几次离间许仙，怎奈许仙对白素贞一片痴情不移。是年端午，白素贞误饮雄黄酒......

When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.