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《大叔的爱》明年夏天要出电影版啦！暂定名剧场版[大叔的爱]。田中圭、吉田钢太郎、林遣都、内田理央等原班人马大银幕再聚首。电影将以剧集之后的1年为背景，可能会出现新的“大叔”。

怪異の専門家・忍野メメの助力も得て、3人の強敵との戦いに勝ち抜いた阿良々木暦。吸血鬼キスショットの四肢を奪い返すことに成功し、再びキスショットの元を訪れるが、そこで暦は吸血鬼の恐るべき本質を知る。暦は取り返しのつかない自分の行為を悔やみ……『魔法少女まどか☆マギカ』の新房昭之総監督と、アニメーション制作会社・シャフトのタッグで、西尾維新の原作小説をアニメ映画化。『I鉄血篇』『II熱血篇』に続き、第3弾となる本作でついに物語は完結する。人間の体に戻るため3人の強敵と戦ってきた主人公・阿良々木暦に待ち受ける残酷な運命とは？ 声の出演は神谷浩史、坂本真綾ら。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

这部电影是伍迪·格斯的优秀传记，他是美国最伟大的民谣歌手之一。他在上世纪30年代离开了自己位于得克萨斯州的家，去找工作，发现了美国工人阶级的苦难和力量。