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Andy Warhol′s Screen Tests were filmed from early 1964 to November 1966. Factory visitors who had potential "star" quality would be seated in front of a tripod mounted camera, asked to be as still as possible, and told not to blink while the camera was running. Warhol manipulated light and shadow in increasingly inventive ways to capture the appearance, style, personality, and mood of both famous and lesser-known visitors to his studio, the Factory. His subjects included Dennis Hopper, Gerard Malanga, Edie Sedgwick, Susan Sontag, and Salvador Dalí. Although each film was shot at standard sound speed, or twenty-four frames per second, Warhol specified that prints be projected at a slower speed of sixteen frames per second, a rate used in the projection of silent films. The result is an unusual fluidity of pace, a rhythm gently at odds with the starkness of the lighting and the boldness of the close-ups of face and hair.In total more than 500 Screen Tests were made. Helmut was the seventh.

影片由三个短片构成——《魔法（比魔法更不真切）》《开着的门》《再来一次》。女性角色的多重性和镜像性是滨口之前的作品中的主题，在他的新作《偶然与想象》中也是如此。前作《欢乐时光》和《夜以继日》，从字面上看，颇有小说的味道，而《偶然与想象》则可以说是一部短篇小说集。叙事节奏 更强化了这一印象：三集，每集围绕一个女性角色展开，又分为三幕。三个短片讲述了一个意想不到的三角恋、一场未遂的诱惑和一个因误会而相遇的故事。尽管零散，但仍保持了有机的叙事流程，甚至还强调了这一点。虽然大部分的动作都发生在一个空间里，而且只有两个演员参与，这部电影却不让人觉得像一出室内剧。这不仅仅是由于对话的缘故，还在于其复杂的时空概念，最后一集几乎变成了科幻片。我们所见证的时刻都与感人的普遍命运相连，以选择、遗憾、欺骗和巧合为标志，它们是影片真正的主角。

本美术片为剪纸片，王家琦、馥耘任编剧，造型和背景设计分别为葛春学和姚光华，解说员为毕克。纸人国里较有特色的人物，除了国王，还有一肚子坏水的缺德将军和好见义勇为的小扁人。一天，国王召见诸位大臣，要他们推选出一名护国大将军，这可是件马虎不得的大事，众大臣议论纷纷，缺德将军自认自己能胜任，于是毛遂自荐，遭到众大臣的一致反对，缺德将军以一敌众和诸位大臣吵得不可开交之时，国王宣布比武招贤。为了当上护国大将军，缺德先生施下诡计，将前来应试的贤才全都掠藏在自己家中，他行动时，小扁人跳出来表示看不惯，缺德将军决定也把小扁人除掉，可是，小扁人可不是那么容易对付的。这不，他一个人在比赛场上飞扬跋扈时，小扁人又跳了出来。

日本封建时代的铸剑过程，武士与主人间报恩、报仇的恩怨情节为主，真正的中心还是环绕着一个女人。片子有种说不出的温柔与细致。