重金属编年史

雅丽（姜惠贞 饰）仅与一只蜥蜴为伴，她自称自己身上带有咒语。她一直孤立自己，直到她认识了新同桌赵强（曹承佑 饰）。这位新同学会相信她说的话，愿意陪在她的身边。不知为何，雅丽不见了。再见面是高二的时候，赵强以学习的名义找到雅丽，这时雅丽已不再穿着黄色雨衣，出落成一个美丽大方的女孩。两人共度的时光非常快乐，但雅丽又再次消失，赵强再次伤心。在雅丽消失的日子里，赵强当上了一名银行职员。他一直没有放弃寻找雅丽，但他雇佣了私家侦探也找不到雅丽的下落。某天，雅丽的突然出现使赵强兴奋不已，但雅丽是来道别的。

1912年4月14日泰坦尼克号沉没后几乎所有幸存者被送回至纽约港口，唯独六名中国幸存者，他们获救后在24小时之内被美国驱逐出境，他们的逃生经历几乎不被记录，甚至被刻意抹去。本片由詹姆斯·卡梅隆监制，我们将跟随调查者，追寻这六人从人类史上最大海难中死里逃生的经历和人生轨迹，拆穿被掩盖一个世纪之久的谎言。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

根据赵树理原著改编。解放后人民觉悟普遍提高，已不像从前那样迷信。反动的“一贯道”会头子想通过封建会道门来破坏抗美援朝运动，他们派爪牙蛊惑人心。农民周成两口子是安守本份的农民，他的妹妹小荣是个少先队员。周成过去被骗参加过一贯道，这次又被他们散布的鬼话吓住了。小荣却偏不相信什么“吾太佛弥勒”的鬼话。