好色女博士

解放前，华少杰（李纬 饰）不堪地主牛耀祖（陈述 饰）欺压，只身逃到闯江湖的“义胜班”，练就一手飞刀绝技，人称飞刀华。抗战爆发后，已当汉奸的牛耀祖成立了“东亚日华艺术团”，耳闻飞刀华绝技，极力拉拢他入伙，飞刀华竭力拒绝遭牛报复，他们打伤班主李忠义（魏鹤龄 饰），打斗中在钢丝演员金素兰（王蓓 饰）义举相救下，飞刀华随“义胜班”逃往四川。一同前往的金素兰对飞刀华心生爱意，不久结为夫妻。抗战胜利后，“义胜班”回到汉口，不料当年的牛耀祖现成为国民党的侦辑处长，仇人相见分外眼红，他变本加利地迫害“义胜班”艺人，班主含恨去世。飞刀华报仇未果，只得携妻再次踏上逃亡之路......

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

作为中国现代杰出的文学家，郁达夫十七岁就到了日本求学，目睹和感受了日本人对华人的歧视，由此竟激起奋发求学的志向。他和港田是好友，并且同时爱上了少女隆儿。一边是友情，一边是爱情，郁达夫最后选择了友情，让隆儿随港田而去……后来日本人因为郁达夫的经历和知道得太多，而将他残酷杀害。这是周润发主演的第一部历史人物题材影片，虽略有生涩，但反应良好，他深情演绎了这位著名作家的一段感情历程。导演方令正似乎非常迷恋这种跨越中日两国的爱情题材，日后他拍摄的《南京的基督》（梁家辉主演），就是根据芥川龙之介的同名自传体小说改编，讲述这位日本名作家来华时与一位中国少女的爱情故事......导演方令正在此探讨了二个主题，一个是少年郁达夫对性的迷惑和对爱的追求，另一个为中日民族问题的爱与恨，前者表现得浪漫含蓄，深得东洋文艺电影的神髓，部分片段有欧洲的爱情片的清新飘逸的感觉。而后者所表现出来的强烈的爱国热情，令观众为之动容。本片大部分在日本实地取景，摄影师陈沛佳表现杰出，无论画面构图，色彩配置和镜头运动都有很高水准。映象效果直逼日本文艺片。编导在此片表现不俗，能从形式上的卖弄深入到与内容的协调，是一部不错的电影。

军政府统治下的缅甸，其西部由于蕴含丰富资源而被军队觊觎多年，那里的儿童经常被军队强征入伍，针对平民的屠杀已经成了部分军人的娱乐……一支教会义工小队为了进入该地区向难民提供人道主义帮助，在泰国找到了隐居的兰博（西尔维斯特?史泰龙 Sylvester Stallone 饰），希望熟悉河道的后者提供帮助。兰博认为时局没有改变的可能，拒绝带路，但终被义工莎拉（Julie Benz 饰）的诚意打动，将他们送达。岂料这支义工小队在村庄中遭到军队的袭击，生还者全部被掳走。教会获悉义工们身陷险境，组织雇佣兵营救，并再次委托兰博带路，这一次，兰博的态度发生了转变，他率领雇佣兵们潜入缅甸军营，又一次化身热血战士。