新相亲大会第三季

一个叫雪霞的女人在古代被冤枉砍了头，含冤死去，后来变成厉鬼到了现代她想找害死他的人的后代报复，她根据斩她头的拿把刀找到了一个光头仔，后来大姑妈(惠英红）和大叔公（谷峰）合手来对付女鬼，女鬼不是他们的对手，最后答应被祖师爷（午马）收服后又逃出的狮王要求，嫁给他做魔王的妻子，最终祖师爷给他们符咒让小雄带上，并嘱咐要用阴阳童子尿对付女鬼，经过连番厮杀终于将狮王和女鬼收服。情节中有一段卖粽子的，她说我要一个，一连要了很多，那人回头一看没头，都把粽子塞脖子里了，然后那人被鬼咬死了，还有有酒鬼夜晚回家路上看到她梳头，起了色心，过去一看是鬼，也被吸血了........

当纽约州北部一个破旧的剧院营地的创始人陷入昏迷时，古怪的工作人员必须与创始人的儿子团结起来，以维持营地的运转。

一个男子（孙红雷饰）得知父亲去世的消息后回到家乡，年迈的母亲说起和父亲的往事。30多年前，城市青年骆长余（郑昊饰）从师范学校毕业后自愿来到了三合屯当小学教师，方圆十几里出了名的美人招娣（章子怡饰）暗自喜欢上了他，从此少女的心便不再安宁。由于学校还未盖好，村里人给建学校的人送“公饭”，招娣换着样儿做好饭菜，特意用一个青瓷碗盛好送去，满心希望教师能吃上她做的饭菜。后来骆长余终于知道了青瓷碗，明白了姑娘的心事，二人由此迸出了爱情的火花。学校建好了，听到教室里的念书声，招娣觉得那是有生以来最好听的声音。到后来，村里已经没有人再听了，只有招娣还听，一听就是四十多年……

〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains