重案六组第五部

生来知己——《山河令》主题演唱会春末夏初，我们在苏州，不见不散。

三位從越南走難來港的青年(曾泉盛、李國松、游慶豐飾演)，對生活有不同的選擇。有人賣身搵快錢，希望獲得美國居留權後，在異地重頭開始新生活；有人面對現實，在畫廊畫「搵食畫」，只求解決三餐一宿；有人依然懷抱夢想，希望到法國學畫畫。可惜難民身不由己，一生只能漂泊於命運的波濤裏 ，唯一肯定的是他們都背負着一段殘酷過去。演員：曾泉盛、李國松、游慶豐導演：許鞍華監製：張敏儀

1949年春天，三大战役胜利后，第四野战军遵照朱总司令和毛主席（古月 饰）关于“向全国进军”的号令，在司令员林彪（马绍信 饰）统帅下，挥师南下，直捣湖广。我军分三路发起追歼，一路由十二兵团直取长沙，二路由四兵团、十五兵团及两广纵队发起湘赣战役。第三路十三兵团攻打鄂西守敌，由于四野战士大部来自北方，此时正逢夏季，一时水土不服、疾病肆虐，给部队造成严重困难。桂系将领白崇禧（田景山 饰）布兵设伏，我军一度受损。按照军委布署，四野首长及时总结经验教训，发起一系列重要战役，解放了中南地区大部。随后，部队乘胜追击......

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.