守护者传说

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

为了追随自己暗恋的男友，纯子（李清儿 饰）来到了韩国成为了一名交换生。在接待她的家庭里，纯子遇见了名为钟万（朴基雄 饰）的男孩。纯子到来之后所住的是钟万的房间，这让这个性格叛逆的男孩十分不爽，更让钟万不能接受的是，自己竟然被父母委托成为了纯子的韩语家庭教师，而巨额的信用卡债务令他无法拒绝。“既然这样，那不如整整她吧”，抱着这样的想法，钟万开始了自己为纯子“特别定制”的课程。纯子可不知道，钟万教给自己的都是些道上的“流氓用语”，而她和钟万之间也总是针锋相对矛盾不断，住在这样的家庭里，有着这样的家庭教师，纯子的留学生活真的没问题吗？

以乡村少女进城打工，却在复杂难解的都市人际关系中载浮载沉的生命故事为题，描写孤身一人投靠亡父挚友的女主角，在城市老街一角的汤屋里看遍悲欢离合的惆怅物语，宛若现代写实版的《魔女宅急便》，女主角松本穗香曾演出《谢谢你，在世界的角落找到我》电视剧版女主角，被视为日本影坛潜力新秀。

日本黑帮和韩国黑帮火拼，一起女尸案引起警方重视，而后来有一天黑社会老大的女儿被绑架，事件朝着无法控制的方向发展。