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亚历克斯·帕蒂弗(《关键第四号》《魔力麦克》)、夏洛特·勒·邦(《云中行走》《伊夫圣罗兰传》)加盟科幻新片《警告》(Warning)，詹姆斯·达西、劳拉·哈里尔、梅纳·马苏德(《阿拉丁》)参演，艺术家Agata Alexander献出电影长片导演首秀，并与Rob Michaelson、Jason Kaye编写剧本，冬季罗马尼亚开拍。该片风格类似《黑镜》，设定在不远的将来的地球上，探讨当截然不同的生活发生碰撞时，孤独、死亡和生命的意义。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

哈森是一位哈萨克族青年牧民，与心爱的姑娘加米拉情投意合。然而，大牧主居奴斯的儿子帕的夏伯克也对加米拉产生了爱慕之情，却遭到了拒绝。帕的夏伯克不甘心，通过派家人上门说亲的方式，迫使加米拉的父亲接受了这门婚事。尽管加米拉父亲的贪婪导致了这一局面，但加米拉与哈森的父子最终被逐出了草原。然而，哈森和加米拉并没有放弃希望。在富有正义感的牧民色力克和库兰的帮助下，加米拉被成功救出，他们开始了逃亡生活。他们躲藏在一个山洞中，虽然生活简陋，却充满了平和与幸福。第二年春天，加米拉生下了他们的儿子，为他们的生活增添了新的希望。然而，幸福并未持续太久。大牧主为了巩固自己在新疆的统治地位，向国民党反动派求援，请求搜捕哈森和加米拉。国民党反动派为了利用这一机会，派兵四处搜捕，残忍地对待了他们的孩子，将加米拉重新托付给帕的夏伯克。在狱中与难友的暴动后，哈森加入了民族联军，与大军一起回到了草原。他们成功消灭了匪军，惩治了牧主父子，最终成功营救了加米拉。

该片描写了清朝福建按察使于成龙不顾自身安危，与骄横偏执、心理阴暗的贪官污吏们周旋斗法，并最终战胜重重困难，使一方百姓得以安居乐业的故事。