变态假面

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

桃花堡堡主花如令（夏志祥饰）六十寿诞大宴在即，宴请江湖五大掌门人及众位武林人士，齐聚毓秀山庄。寿宴前夕，花如令为儿子花满楼（张智尧饰）安排了一场除去心中魔怔的局。十五年前，花满楼被铁鞋大盗所害，双目失明。即使花如令已联合江湖五大门派将铁鞋大盗铲除，但十几年来花满楼却饱受心理魔怔的折磨。为在有生之年帮儿子驱走魔怔，花如令请来陆小凤（张智霖饰）假扮铁鞋大盗，成全花满楼亲手铲除仇人的心愿。本片根据古龙的武侠小说《陆小凤传奇》改编而成，但并非原著系列故事之一。《铁鞋传奇》根据原著的人物性格和故事情节，既忠于古龙先生的原著，又在此基础上加以艺术化的整理和演绎，环环紧扣，高潮迭起，把古龙笔下最快意恩仇的《陆小凤传奇之铁鞋传奇》呈现于荧屏。

很多民众对性少数群体缺少认知，甚至存在偏见和歧视。公益纪录片《彩虹邮轮》全面聚焦性少数个体生命故事，拍摄的人物分别处于不同状态，有出柜的，形婚的，等待同性恋婚姻合法化去领证的等等。本片全面地向社会宣传性少数知识，倡导健康生活理念，帮助性少数者实现自我认同，希望减少社会偏见发生，增进人与人之间的了解、信任、包容。

蒙古族少年海力布打猎途中从狐狸的嘴下救了一只可爱的小松鼠，之后小松鼠引领着他来到一个幽静神秘所在。原来小松鼠是山神的女儿，为了答谢勇敢善良的海力布，山神先后送给他两样无价之宝，结果都被海力布拒绝了。深知少年心思的山神女儿送给他一只果子，吃下去后就能听懂动物的语言，但是绝对不可以把听到的话告诉别人，否则会受到严酷的惩罚。快乐的海力布每天和动物交流，并用这个本领帮助了很多动物和百姓，他为此感到十分自豪。可就在某天，他听到动物们在谈论一场即将到来的巨大灾难，海力布是否该向百姓们通报这个消息呢？本片根据蒙古族的民间传说改编。