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A day with Ryūe Nishizawa and his Giulia.After the multi awarded « Moriyama San », « Tokyo Ride » is a new step of Bêka & Lemoine’s immersion within Tokyo’s busy daily life. Revisiting the genre of the road movie in a very diaristic and personal way, the film takes us on board of Ryue Nishizawa’s vintage Alfa Romeo (Giulia) for a day long wandering in the streets of Tokyo.More than a portrait, in the classical sense, of one of the most talented and celebrated Japanese architect of today, the film renders in its pure spontaneity the experience of this friendly urban drift.Ryue Nishizawa narrates along the way his strong relationship with his home town through some sites he personally affectionates, buildings that have influenced him, and some of his own architecture projects.The film questions how rooted architecture practice is and how much the built and cultural environment feeds and shapes our imagination.

「垃圾」一詞是相對的，但是多數人對垃圾的定義是絕對且刻板的，而「垃圾人」這種人的定義，也是相對的，相對於人類避垃圾而不見即謂之消失的鴕鳥心理。影片以活潑可愛的調性，將兩位主角遊走在城市之間如何看待垃圾的特殊觀點帶出，進而連結兩人對垃圾之情與家人之間的微妙關係。“Trash” could be so relative that most people have stereotyped definitions about rubbish. For some people, trash could be somehow treasurable. As a production designer for short films, I started to observe trash in the cities and collected them as my own properties for those low-budge films.获奖情况：2012年 入圍第九屆韓國首爾綠色電影節2010年 入圍香港亞洲電影節入圍紀錄片新世代單元

该片讲述了85岁高龄的林女士(金英玉 饰)夹在扮演着孝子的儿子(金永敏 饰)和如家人般的疗养护工(朴成妍 饰)之间的故事。聚焦“像外人的家人”和“像家人的外人”，讨论了是因为家人而一起生活还是因为一起生活而是家人的现实问题。

本片以不加修饰和感性的方式，记录了当代最标志性的艺人之一泰勒·斯威夫特在人生转折期的点滴。该片讲述泰勒如何在他人的期许之下找到自我。导演拉娜·威尔逊通过这部明亮而多角度的电影，展现了一名国际巨星如何接纳自己的多重身份：她不仅是词曲作者和表演者，还是一名能够用声音带来影响力的女性。