父母儿女媳妇一起来玩的说说心情

長崎県でガラス細工の工場を営む亮太。幼い頃に別れた父の工場を受け継ぎ、厳しい状況ながらもなんとかうまくやっている毎日。だがその一方、かつての父と同じように自身も離婚を経験し、子どもたちと会うことが出来ずにいた。定職に就かずブラブラし、虚言癖のある兄・章一の存在も悩みのタネだ。そんなある日、亮太は章一から、街で偶然父の姿を見かけたことを告げられる。信じられずにいる亮太だが、そんな折、現在の妻・友里恵に妊娠を告げられる。「お父さんになる自信、ある？」その一言で、父のいない過去をひきずったままの自分に気付く亮太。亮太は章一を信じ、ともに父を探し始める――。

为了寻找被禁止上映的电影之真相，他们陷入了极度残酷的恐惧中！拥有强烈抱负的导演美京（徐睿知 饰），为了要拍摄新的恐怖电影而费尽心思。即使每晚做了许多可怕的恶梦，仍无法阻碍她想拍摄恐怖片的心。某日，美京从朋友那得知，听说有一部由鬼拍摄而成的神秘电影，她因此深受吸引。在调查这部电影时，美京开始将自己写进自己的剧本中。故事叙述一名电影导演，追寻由鬼所拍摄的被禁电影的踪迹。然而，当她越接近真相，生活中就开始发生了许多奇怪的事，仿佛她已置身于恐怖电影中，电影和真实生活之间的界限越来越模糊，将她推向一个完全无法预测的结局……

The story of a professional nude model stalked by a bizarre, unknown man wearing a hideous mask.

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)