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时值1776年，美国独立战争刚刚开始，国会一片混乱。约翰·亚当斯作为激进的政治家是国会的活跃分子，他积极地提出取得殖民地独立，建立美利坚联合国，并获得同是国会议员的富兰克林和杰斐逊的支持。提议一经提出，就遭到了近一半的国会议员的反对，尤其是以特拉华为首的一些顽固的保守主义者坚持认为，美国作为英国的殖民地，在英国的庇护下是最好的选择。而此时，英军已攻占纽约，与对方作战的华盛顿将军从前线带来的如供给不足、士兵气势不佳等坏消息，更给了他们足够的理由，反对美国独立。亚当斯因其犀利的个性在国会被受争议，几经考虑，他决定让好友查德·李把议案正式提交给国会，并由富兰克林等人支持，希望能过得到讨论。但提议当天，查德·李德迟迟不来和其他国会议员的讽刺让亚当斯焦急万分，最后，他决定抱着最坏的打算自己提出议案。关键时刻，姗姗来迟的查德·李赶到，提出美国独立的议案。但同意和不同意各占一半让场面陷入了进退两难的境地，还好，酒醉出去的霍克金斯重新回到国会，处于微醺状态的他迷迷糊糊中投给了亚当斯一方一票，提议总算被正式提上了日程，予以讨论。美国独立的议案进展缓慢，又陷入了一半同意一半反对的局面。为了打破僵局，亚当斯深刻地觉得应该起草一份独立宣言。而这个重任就自然落到了文笔出色的杰斐逊的手中，但此时，杰斐逊急于回家见妻子，哪里有心思起草独立宣言，一个礼拜过去了，独立宣言连个影子都没有。焦急万分的亚当斯灵机一动，把远在故乡的杰斐逊的妻子接来，这样，一篇洋洋洒洒的独立宣言才由此诞生。要通过美国独立的议案，可谓困难重重，但即使有再大的阻碍，也决不放弃。亚当斯等人几经奔波，终于，通过了该法案。

军队是男性的保垒，军队是男性的象征。出乎意料之外，一批来自全国各大专院校女生光临了成功岭，她们从军入伍的机会是空前也是绝后的。换上军服的女兵依然不脱女孩子气，面对班长军中严格规定与要求，屡屡发生好笑的趣事。训练从单兵徒手到伍的攻击逐次展开，男兵在此同时，则想尽办法一亲芳泽，却每次碰壁，遭到处分。女兵通过震撼学习测试，军中长官也被感动的开始对她们另眼相看。结训后，交还了装备、换上了便服，这一群脱胎换骨的女孩，仍然保持着军人的风格，在依依不舍中，相互挥手告别，但这短短的时光却是她们一生中最难忘的回忆。

Through stories and photographs, many never widely seen before, Give Peace a Chance will offer a chance to sit on the edge of the Bed-In, Suite 1742 at the Queen Elizabeth Hotel in Montreal between May 26 and June 2, 1969.John Lennon and Yoko Ono used their bed as a way to put themselves and their message in the center of a searing spotlight, demonstrating through their vulnerability and openness their unrelenting support for their beliefs. No celebrity couple had ever used their bed as a place of protest, nor had anyone before been so available in person and by telephone to the world.“We’re going to sell peace the way other people sell soap,” Lennon said to a young, accomplished photographer on assignment for Life magazine, Gerry Deiter. Deiter was our eyes in that hotel room, the only photographer there for the entire eight days of the bed-in. He was determined to capture the essence of the scene--in particular the love between the newlyweds in many intimate moments. He also candidly caught the famous people who dropped in: Timothy Leary, Tommy Smothers, Dick Gregory, Al Capp, Murray the K and others.

"Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee."