我是歌手20130201

狗蛋（郝邵文 饰）真心实意的暗恋着青梅竹马的玩伴小翠，然而情敌宇文的实力太过强大，任凭狗蛋如何对小翠展开猛烈的攻势，都得不到她的心。原来，小翠觉得狗蛋长得太胖了，于是狗蛋开始发奋减肥。丑妹为了讨狗蛋的欢心跟在他身后出谋划策，两人闹出了不少的笑话也惹了一身麻烦。狗蛋进入海防部队成为了一名军人，可是，虽然身在军营，但军营内的管理却十分的混乱，毫无军法军纪，狗蛋依然过着闲散而又自由的生活。直到有一天，一位名叫包胜男的掌管被派往狗蛋所在的部队监督军纪，这令狗蛋一行人苦不堪言。狗蛋怂恿班长阿宪追求包胜男，以解决目前的困境。

姜泰锡（崔民植 饰）曾是叱咤拳击界的拳击好手，却因为好赌而输掉了所有的财产更欠下了巨债。自此之后，他与妻子（徐慧琳 饰）儿子过上了十分艰难的生活。泰锡让途人暴打以换取生活费用，但妻子还是无法忍受如此困难潦倒的生活，要与泰锡离婚并带走儿子。顿时泰锡为自己的生命感到悲伤，想用自杀结束这让人窒息的一切。但他的内心还是无法放下他钟爱的拳击事业，他要参加一次重大的拳击比赛，也因此认识了另一名参赛者柳相焕（柳承范 饰）。相焕曾是一名小混混，不务正业。因为抢劫进入了少年感化院，在监牢里他仍不改好斗的个性。随后父亲与祖母的相继离去让他备受打击，拳击成了他生活中的唯一的慰藉，于是他参加了拳击赛，成为了泰锡最后的一名对手。

该片讲述了在改革大潮的冲击下，孔氏家族内部爆发的一场尖锐的矛盾冲突。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.