白雪公主之魔镜魔镜国语

故事发生在一个科技十分发达的星球之上，宅博士（邓玉婷 配音）是一名杰出的机械师，一次偶然中，他激活了五个散落在星球各处的超人，之后，这些超人们成为了保护星球和平的正义使者。活泼开朗，天真正直的开心超人（刘红韵 配音）、聪明大胆，温柔可靠的甜心超人（邓玉婷配音）、天性爱美，实力强大的花心超人（严彦子 配音）、稀里糊涂，丢三落四的粗心超人（祖晴 配音）和沉默寡言，外冷内热的小心超人（刘红韵 配音），五个各具特色的小小超人所要面对的，是来自灰心星球的大大怪（高全胜 配音），面对如此强大的敌人和敌人们惹出来的一堆大大小小的麻烦，这五个小家伙真的没问题吗？

徐青青（郭碧婷 饰）的母亲跟别人走了，只剩下她跟父亲一起生活，她独立经营着古老钟表店。某天，一名叫蔡子涵的男生前来修表，青青认得他，他之前曾睡在她家的门口。这个羞涩的男孩子几天都来找青青修表，他终于鼓起勇气告诉青青他是她的国中同学，青青还在言语间知道这个男孩子是喜欢自己的。自从上次去了山间瀑布之后，子涵就再也没有出现，直到青青打电话到子涵家中。子涵的父母竟告诉青青，他们的儿子已经死去了。当子涵再次出现的时候，青青要去他的家，他果然带到了自己的家。子涵的父母才告诉青青，当年子涵死去之后，柏宇患上了精神分裂，他每天三点钟之后，都会变成子涵。子涵的父母将要搬走，柏宇也将回到美国的父母身边。青青担心自己再也见不到子涵了，她终于踏上了多年来都不敢坐的火车……

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

少女幸子（宫崎葵饰）和老师的师生恋绯闻被传得风风雨雨，相依为命的母亲稔子（Ryo饰）则自杀未遂。打击不断的生活令幸子无法承受，升入中学后，她不去上学，每天闲逛打发时间。她和依靠小偷小摸赚钱的少年隆夫、精神脆弱的中年人久蔵成为了朋友。隆夫离开后，幸子和好友夏子（苍井优饰）返回了学校。不久后，她又差点被母亲的新欢德川强暴。谣言又起，幸子失望地离开学校。昔日的老师恋人现在发电所工作，幸子准备去他那里。然而在约定的小茶店里等了很久，他还是没有出现。灰心的幸子跟一个前来搭讪的男子离开茶店……