一集片

在海洋中漂浮了 50 年后，塑料垃圾形成了一个巨大的垃圾带。 《垃圾岛》的背景设定在环境问题“大太平洋垃圾带（GPGP）”中。 在垃圾岛上，不同的角色会不顾自己的意愿偶然发现彼此。 他们每个人都在这个绝望的岛上面临着悲惨的结局。After 50 years of floating in the ocean, plastic waste formed a huge garbage patch. The background of is set in the "Great Pacific Garbage Patch(GPGP)" which is an environmental problem. On the Trash island, various characters stumble across each other regardless of their will. They each face a tragic ending on this hopeless island. 35

IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .

敬大爷（靖奎 饰）是一位87岁高龄的耄耋老人，他是一位从旧社会走来的老剃头匠。这位家住北京什刹海景山西街附近的老人耳不聋，眼不花，解放前在地安门开理发馆，接待过不计其数的主顾。解放后随着时代的发展，花样繁多的发廊相继兴起，而像敬大爷这样凭着传统手艺吃饭的却越来越少，古老的剃头匠们已被时尚人类抛弃在穷街陋巷之中。敬大爷每天穿梭各个胡同之间，登门为那些相识几十年的老主顾理发刮脸。这群老人中有的健谈、有的沉默、有的达观、有的已是弥留……20多年时间里，400多位孤独、无名的老人离开。而敬大爷则怀着一颗平实达观的心，以仪式般的郑重送走每一个相伴多年的老主顾……本片荣获2002年中国电视纪录片学术奖、长片类大奖、长片类编导奖和录音奖。

東京・品川の行列ができるセルフ洗車場が舞台。水や洗剤が出るスプレーを使い、時間をかけて愛車を磨きあげる人たち。仕事で必要になり車を購入したが、いつの間にか休日のドライブが欠かせないほど車に魅せられた女性。デート代わりに車を洗うカップル。そろそろ免許を返納しようか迷っている70代の男性。それぞれ事情を抱えながら、みな黙々と車を洗う。梅雨が明けた7月末、車の汚れと一緒に、洗い落としたいものは何なのか。