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同じ作業（細胞分裂）を繰り返すだけの毎日に飽き飽きしていた一般細胞の前に、ステキな帽子をかぶった謎の細胞が現れる。その細胞は白血球（好中球）やキラーT細胞らにいたずらを仕掛けようと一般細胞を誘う。日頃のうっぷん晴らしをして楽しむ一般細胞。だが、このステキな帽子をかぶった細胞はいったい何者なのか……？

带着孩子的单身母亲来到东京打拼，孩子寄居在开杂货店的叔叔家里，和当地孩子打成一片，和堂弟也相处融洽，还和一个女孩交上了朋友，其母是旅馆老板，还是另一个镇上一个生意人的情妇，对女孩极为苛刻。男孩母亲在旅馆里打工，渐渐地与旅馆某位客人产生了感情，并辞职了。两个孩子的命运究竟会如何呢？

民国初年，东北地区形势复杂，军阀、土匪、日本特务势力交错，各占地盘，民不聊生。军阀林国栋虽无大志，但仍有爱国之心，日本多次拉拢，俱不为所动。区内唯有福星镇一地，可称为人间乐土，奇怪地向不受土匪侵袭，各山头均传说此地邪门，凡土匪冒犯福星镇者，都会无故消失。其实是有七大退隐江湖的武林高手隐居于此，当中包括小裁缝娇婆四（王祖蓝 饰）、开饭店的姐妹麦当娜（吴君如 饰）与麦当红（谢娜 饰）、当奶妈的花天娇（曾志伟 饰）、道士甲乙炳（元华 饰）、卖胭脂水粉的小喇叭（郑中基 饰）跟妓院老板娘黛玉姐（孟瑶 饰），人人身怀绝技。他们每一次都把土匪消灭得干干净净，保了镇民平安。林国栋（洪金宝 饰）的女儿雪儿（童菲 饰），喜爱烹饪，时来镇上买新鲜蔬果，由于美丽活泼，深得众侠欢心，尤其是小裁缝娇婆四，更是对她一见钟情，把她当梦中情人。日本女特务黑泽青子，勾结汉奸猛虎庄之洪虎、洪豹、洪凤，设立情报基地，用密码传送情报回国，并对林国栋施以色诱，然后以忍术控制其神智，再要害死雪儿，幸雪儿逃脱。雪儿逃往福星镇求七侠救父亲出险境。七侠尚未考虑清楚，青子已先下手为强，雇用杀手来狙杀他们，全镇老百姓愤而反抗，连百岁老人亦不甘后人，感动了七侠，一齐出手，击退杀手。七侠连手赶赴猛虎庄。是日青子一手安排了她与林国栋的婚礼，妄图成为师长夫人后控制林国栋的军队，幸众侠及时赶到，破坏婚礼，林国栋恢复神智，与众侠合力大战青子与洪家兄妹，终尽歼强敌！七侠远去，林国栋亦决意全力对抗日本势力，誓保我国好河山。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb