我为歌狂韩磊

很久很久以前，有一处白马藏族人民才熟悉的美丽森林。这里竹影婆娑，风光秀美，最值得称道的是此地生活着世界上独一无二的物种——大熊猫。顽皮的熊猫宝宝平平对大森林和外面的世界充满好奇，它不顾妈妈的劝告，执意要走遍森林的每一个角落。这一日，善良的祖孙俩白马藏医老爷爷（高群 饰）和孙子小风（喻小风 饰）上山采草药，小风意外结识了偷偷溜出去玩的平平。未过多久，平平不慎落入猎人设下的陷阱，危急时刻得到了小风的救助。到手的猎物跑掉，令猎人独角（吴笑平 饰）大为光火，他想方设法要抓到熊猫母子，而勇敢善良的小风将尽最大的努力保护可爱的熊猫朋友……

只因那几世前的救命因缘，便上演了这感天动地的白蛇传。家住江南的平凡书生许仙（赵雷 饰）偶遇美若天仙的白娘子白素贞（林黛 饰）和丫鬟青青（杜娟 饰）。那娘子顾盼生辉，眉目传情，纵使木讷如许仙者也怎能不心有所动？岂料白素贞是修炼千年的白蛇所变，当年因被许仙前世救下，故而今天化作人形前来报恩。几经周折，许仙与白娘子配为夫妇。妇唱夫随，自由快活。却不知人间自有人间的规矩，乱他不得。更何况人鬼殊途，妖怪精灵何能在人类市井安享太平？白娘子和许仙的爱情必将遭受最无情的摧残与打击……本片根据经典民间传说改编。

讲述在浮游城“艾恩葛朗特”从第一层开始往上攻略的故事。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.