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李仲明（张伐 饰）本是一名小学教师，却因为战乱失去了工作，流落到上海。身无分文无家可归的他在三轮车夫朱老五（张雁 饰）的劝说之下也去骑起了三轮车，他的踏实肯干吸引了车行老板孙金娥的注意，让她坠入了情网之中。一次偶然之中，李仲明邂逅了名叫赵淑秋（黄宗英 饰）的年轻女教师，惺惺相惜的两人之间很快就产生了好感，这令孙金娥十分的伤心。然而，因为李仲明和赵淑秋之间的社会身份相差巨大，这段恋情很快就惹来了闲话无数。最终，赵淑秋因此丢掉了工作和住所，善良的李仲明答应让赵淑秋住进了自己的家里，但两人之间依然是清白的。

像寓言故事不停止被讲述，经典总有人记起，将上海和平饭店这座摩登时代的建筑艺术历史宝藏作为电影空间，仇晟导演再现了经典默片形式，在《不会说话的爱情》中，也是年轻演员们首次尝试默片表演手法，曾凭借《醉·生梦死》《地球最后的夜晚》等口碑佳作备受关注的李鸿其饰演了一名半聋的人士，人物的设定融合出色的表演，让默片形式不仅是简单的借鉴，而是有现实意义的全新创作。他和曾经出演过《大象席地而坐》的朱颜曼滋在短片中上演了一系列啼笑皆非的爱情故事，在上海和平饭店穿越历史，将影片简短的故事，酒店片刻的记忆，刻录成了永恒。

新年最初の週末、富士山のふもとにあるキャンプ場に密着。気温は氷点下にもかかわらず、次々と人がやってきてはテントを張る。「空気が澄んで景色がいい」「虫がいない」という理由から、冬のキャンプも人気なのだ。たった一人で「ソロキャンプ」に来た会社員。こだわりのグッズを披露する50代のベテランキャンパー。20数年ぶりというブームに沸くキャンプ場。みんな、どんな思いを抱えながら、富士山を眺めるのか。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.