婚礼现场视频完整版

夜色笼罩下的小镇，舒适而静谧。一户人家闪烁着温暖的黄色光芒。女孩惠惠正在整理行李，她即将和家人搬去远方。在收拾杂物的时候，她偶然找到了爷爷写书法时最宝贝的纸镇——黑熊阿墨。当年她对阿墨尤其感兴趣，可是爷爷决不允许孙女将阿墨当成玩具，不过呢调皮的小女孩总有办法戏弄严肃的爷爷。遥想当年，在某个下雨的午后，窗口突然出现一头巨大的黑熊，仔细看时才发现是爷爷打着伞来接孙女。有时候惠惠太贪玩了，忘记了和爷爷的约定，让老人家心有惴惴地等了很久。爷爷就像山谷里那头倔强的黑熊，看似威严，却让人感到温暖。快乐和伤心的回忆，都凝聚在小小纸镇之中……

这部惊险报仇片剧情复杂，线索纵横交错，黑泽明通过一宗贿赂事件，无情地揭露了日本官商界的黑暗，对人性的丑恶一面刻划得入木三分。在构图方面，黑泽明控制得更完美无瑕，通道、楼梯、房间的排列、镜的摆设，以至瓦砾堆的空间布置，都拍得均整有致，计算得惊人地准确。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

一眾黑社會份子，一舉截劫得港幣五百萬現款後，原打算先行各自前往外埠暫避風頭，日後回來始將款項攤分。然而劫案的頭目，為與幕後策劃人平分巨款，遂暗中向警方告密。結果，每個人都因為內訌而自相殘殺，或死於警方彈雨下，當中更牽涉一宗父子情仇……