僵尸保镖

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

某日，一块神奇的结晶体现身地球，被科学家宇宙翔拾得。与此同时，露娜和亚特密斯大吵了一架之后离家出走，却因病体力不支昏倒在了路上，宇宙翔将虚弱的露娜带回了家，精心照料，露娜渐渐恢复了活力。让大家没有想到的是，那块神秘结晶体的本尊，竟然是想要侵略地球的月亮雪公主，现出真身之后，月亮雪公主即刻召集了爪牙，展开了破坏行动。为了对抗邪恶的月亮雪公主，水手服战士们全体出动，然而月亮雪公主用自己的力量使得气温急速下降，整个地球很快就被笼罩在一片冰天雪地之中，情况十分危急。面对如此强大的敌人，水手服战士们能否团结一心，取得最终的胜利呢？

一个人没有赶上公交车，失望的他突然发现周围的街道有了色彩和生命。

冰河时期降至，动物们都急着迁徙到温暖的地方及储存食物。长毛象曼弗瑞德、树獭希德、剑齿虎迪亚戈为了帮助一个人类的婴儿回到父母身边，因而也掉了动物们迁徙的队伍。三只性格各异的动物，觉得集合力量帮助婴儿。一路上，善良的曼弗瑞德总觉得迪亚戈心怀鬼胎，想吃掉婴儿，互相猜疑。他们一起经历了无数艰难险阻，终于能够真诚相对。当剑齿虎迪亚戈的同伴知道它身边正有一个婴儿，饥寒交迫的它们就想迪亚戈把婴儿交给它们当食物，迪亚戈已对可爱的小婴儿产生了感情，无法下手，而迪亚戈该如何选择呢？小婴儿又能否安全回到家中？