我在时间尽头等你豆瓣

85岁母亲（吴彦姝 饰）和65岁女儿（奚美娟 饰）共同生活。女儿背负着对父亲的愧疚，过着清教徒般的生活，阿尔茨海默病让她变成了另外一个人，年迈的母亲需要付出顽强的生命力照顾女儿。两个生命在进程中彼此成全彼此辉映。

20世纪20年代，数千年的封建王朝土崩瓦解，然而在历史黎明的曙光到来之前，古老的中华民族却进入了最为黑暗的军阀割据和混战兼并的时代。西安侦缉队队长马腾云与黑道公子曲大通沆瀣一气，为了钱财不惜杀害相好的女子小翠。侦缉队副队长何远新受命调查此案，在和武生傅天豪相谈过程中，逐渐将目标锁定在曲大通的身上。调查脉络逐渐清晰，而就在关键时刻马腾云借故将何支走，随后设下毒辣圈套陷害傅天豪。得知消息的何远新大为震惊，他赶回西安后不顾万难追查一连串案件的真相，纵使头破血流也在所不惜。蚍蜉撼树般的对抗，指向惨烈的结局……

流行音乐作曲家史蒂夫（Red Skelton）在加州与美丽多情的大学游泳课老师卡罗琳（Esther Williams）一见倾心，两人谈婚论嫁之际，遭到唱片公司高层的反对，他们怕影响到史蒂夫为“水上盛典”作曲，但史蒂夫无视阻挠。史蒂夫的经纪人乔治雇用女演员玛丽娅假冒史蒂夫的妻子，后者带着三个假冒的孩子来到婚礼上大闹，卡罗琳一气之下出走，史蒂夫得知卡罗琳任教的学院虽是女子学院，但章程规定也招男生，于是报名入学，笑话自此层出不穷。

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.