元首的愤怒nobody

《GOT7的HardCarry》是由GOT7 与Mnet合作推出的一档全新专属实境综艺节目。该节目的特色是由七位成员担任导演，亲自负责企划、构成、拍摄、出演，透过节目，不只能让观众们看到成员们各自的个性、色彩，还有他们亲切的日常面貌、作为艺人的可能性、像男子汉般充满力量的样子。

明末，昏君崇祯不断缺陷取苛捐杂税，加深人民的痛苦。农民高良敏因付不出捐税，父子俩都被抓入狱，儿媳张慧珠日夜织绢才将高父子赎回。刚到家，公差就来抽取新税，父子俩连夜去采药被老虎吃了，慧珠的独子宝琏又被抓去，年迈的婆婆被气身亡。索税公差仍向她要税，慧珠一人逃进深山荒野，自刎而死。

某天的大洗女子学园，鮟鱇组的5人为了送去学生会的文件，寻找农业科所属的学生——简。骑着不习惯的马，好不容易到达了农科的校舍，在那里遇到了她，不知拿着什么枪，处于临战状态。据她说，正在追捕“世纪的大恶棍”…!?

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.