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根据姚雪垠长篇小说《李自成》片断改编。明崇祯十一年。坚持了10年之久的明末农民革命陷入低潮，面临失败的危险。由于官军的疯狂镇压和各家义军相互不和，一同起义的十三家义军相继瓦解，有的溃败了，有的投降了。仅剩下李自成率领的一支孤军，也在潼关的南原陷入官军重围、全军覆没。在乱军中，李自成妻女俱失，仅率13骑突出重围，逃往山中。途中，夜宿林中，又险为当地乡勇所杀，喜遇李自成手下大将郝摇旗杀散乡勇，才得侥幸逃生。李自成逃往商洛山中，偃旗息鼓，准备东山再起。山中人烟稀少，粮草缺乏，严冬已至，又无棉衣，军心浮动。朝廷又派贺人龙进山搜捕，将士闻讯，竟有临阵脱逃者。李自成心情沉重，忍痛在阵前斩了逃兵，以定军心。面对严峻的现实，李自成认识到要重振大业，只有"一马破门而出"，去说服已经投降了明朝的另一个农民起义领袖张献忠，重举义旗。原来，十三家义军中张李两家实力最强，互相不服。张献忠在谷城投降了朝廷，在义军中引起连锁反应，招致起义的失败局面。李自成部下将领对他多有怨恨。张献忠为人狡诈多变，又与李自成有仇在先，因此以刘宗敏为首的众将坚决反对李自成贸然前往，认为此行凶多吉少。李自成力排众议，决心铤而走险。张献忠虽然降了朝廷，但并不受信任。朝廷不发粮饷，又不封给官职，各级官吏还要敲诈勒索。张献忠的有心率兵重新造反，无奈外有左良玉20万大军包围，内有巡按御使林铭球坐地监视，难以动手。李自成来到谷城，希望张献忠与他相互呼应，重新起义。张献忠虽有此心，但又不愿将来推翻了明朝，李自成与自己争夺天下。军师徐以显也力劝张献忠除掉李自成，以绝后患。可张献忠自己也看出，没有李闯王，自己一支孤军也难成功。两人谈判再三，张献忠犹豫不定，终不能决。李自成于危机四伏中沉着镇定，与张献忠坦诚相见，张献忠顾及绿林义气，否定了杀害李闯王之主张，两人虽各抱目的，但终于结成同盟。一年后，两支义军果然共同推翻了明王朝。

正在准备关于同性恋者自杀故事话剧的女子高中小剧场。编写剧本的智媛（김윤지 饰），被学校里出名的同性恋者同时也是话剧主角的尹贞（全素妮 饰）指责为没有正确理解同性恋。尹贞的“只把同性恋当作刺激性素材”的批评，让自尊心受损的智媛接近了女同性恋者且是尹贞前女友的敏雅（李周映 饰）。随着时间的流逝，话剧的内容逐渐成为“实际同性恋者”尹贞和敏雅的故事。虽然是以采访为目的接近的智媛，和敏雅相处后也渐渐陷入了莫名的感情之中。

1973年6月，驻日韩国大使馆一等书记官金车云等人接到命令，准备绑架正在日本的韩国在野党领袖金大中。行动代号“KT”。从陆军军官学校时期起就与朴正熙保持联系的自卫队幕僚二部部长XZ田，以及为韩国中央情报局提供支持的幕僚二部部员富田等人运用各种手段追查金大中的下落。大使馆内部的线人通过接近采访过金大中的记者神川得知金大中将于8月9日进行演讲。金车云得报后，立刻布置具体作战计划。但由于计划败露，他们不得不提早一天行动，终于绑架成功。然而正当他们准备坐船返回韩国时，自卫队在美方的要求下出手开始阻止他们的行动………

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb