老中医用嘴排阴毒小雨

Alex de Renzy (FEMMES DE SADE, PRETTY PEACHES) was one of the greatest directors of adult films ever, his career starting in the late 60's and preceeding well into the 90's. So saying that BABY FACE, stands as his crowning achievement is no small praise. This ranks as one skinflick that truly has it all, a complete storyline, fine production, and a couple of decent acting performances and some of the hottest sex scenes ever assembled in a single movie.Big, lumbering Dan Roberts stars as the hapless construction worker who has to go into hiding following his seduction of underage but willing Priscilla (Lyn Cuddles Malone) which incurs the wrath of her religious fanatic of a man. After a near-fatal accident leaves him unconsciously drifting in the bay, he is saved by fan favorites Amber Hunt (FIONA ON FIRE) and Linda Wong (SWEET CAKES) who clean him up and then some. Hunt comes up with the brilliant idea of taking him to the Training Camp, a brothel catering exclusively for rich women and run by her aunt, affectionately referred to as the Champ.This fancy cathouse provides the perfect backdrop for the movie's myriad sexual situations, nearly all of them handled with great style and enthusiasm by cast and filmmaker alike, shot through with a wickedly subversive humor. Standout scenes include gentle giant Roberts tender initiation of the eager Malone, their contrast in size providing an instant thrill all by itself, and the late great Kristine Heller taking on pretty much all the guys present in what has to stand as the single greatest gang bang sequence ever committed to film or video.

一年一度的春节即将到来，人们都陷入了一片欢快的节庆气氛之中。孤身一人在外的光头强（谭笑 配音）也想回家过年，只是李老板（张伟 配音）还拖欠着他的工资，光头强还期盼着能够用这笔钱给在老家的父母置办一点年货。最终，光头强找到了一份护林员的工作，和动物们一起保护森林的安全。可是，李老板似乎是诚心要给光头强找麻烦，他派出了伐木机器人来到光头强守护的树林里大肆开采。为了履行自己的职责，光头强和熊大（张伟 配音）、熊二（张秉君 配音）、毛毛（孙尧东 配音）、涂涂（万丹青 配音）等可爱的动物们一起和李老板抗争到底。

本作は、深川所属の芸能プロダクション「株式会社テンカラット」が設立25周年という節目に熊澤監督とタッグを組み、制作を企画したもの。『ユリゴコロ』や『ごっこ』でメガホンを取った熊澤監督が、自身の小説『おもいで写眞』（幻冬舎文庫）を実写映画化。“人が生きる豊かさと年を重ねる美しさ”をテーマに、夢に敗れ故郷へ戻った主人公・結子（深川）が祖父の残した写真館で遺影写真を撮り始め、その中で成長していく様を描き出す。

This stirring documentary sees Ogoniland activist and writer Ken Saro-Wiwa takes on Shell and the Nigerian government.