好学唔学学金刚

本片为1992年《修女也疯狂》的续集。狄乐丝（乌比·戈德堡 Whoopi Goldberg 饰）已经正成为了拉斯韦加斯的知名歌手，而在上集中与她同患难共欢乐的修女们也被调至一个社区学校服务。但是，这个社区学校的孩子们是个大麻烦。顽皮的他们与遵守规范的传统修女们简直是水火不容。不是无视修女们打瞌睡，就是醒来捣乱破坏了，令修女们颇为头疼。无可奈何的修女们只好请狄乐丝再度出山来管教这帮孩子。孩子们见到狄乐丝自然不服气，他们无视她，更想出各种鬼点子捉弄她。但是，很快学生们就领教了狄乐丝厉害。无论他们对她做了什么，最后凡狄乐丝总能“以其人之道还治其人之身”。这样一来，大家都对狄乐丝的管教服帖起来，就连最顽皮的孩子认识到她的厉害。孩子们第一次有目标地参加一次大赛时，但是这下，狄乐丝身份又成了问题……

在一个平静的日子里，女主人哼着小曲拖地板，整座房子被她打扫得干干净净，她满心欢喜欣赏着自己的劳动果实。然而这份喜悦与满足却并未延续太久，此时门外传来一阵吵闹，原来是汤姆和杰瑞再次展开他们永无止境的追逐战。追逐过程中，两个小家伙跌入泥坑，可是他们还不管不顾地追逐。从屋外到屋内，干净的地板马上就布满肮脏的脚印。女主人自然十分光火，她责令汤姆将地板拖干净，并且在她外出购物期间务必保持屋内的整洁。汤姆连连点头保证，而小老鼠似乎冒出了什么鬼点子。女主人刚刚出门，杰瑞就对房间开始了大破坏，烟灰、蓝墨水比比皆是，可怜的汤姆为此疲于奔命……

嘉均从南部北上找的第一个工作，就碰到色狼总经理，以高薪要求嘉均陪他一晚戚总求爱不成，心有未甘，就设计嘉均来上班，并找人强暴拍摄，以威胁他就范。嘉均受此打击后万念俱灰，既然萌生了轻生的念头，室友纷纷劝嘉均要以牙还牙，明着顺从暗地里设计戚总将当初强暴她的人一一除去，最后连戚总的老板戚董也难逃嘉均的报复手段！

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.