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影片改编自罗伯特·金梅尔·史密斯1984年出版的同名童书，故事围绕一个小男孩的“卧室保卫战”展开。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

江湖中有天争教，教主武功高强，手段残酷，现身时均罩面具，故无人认识，因图独霸武林，时派教徒四出屠杀不愿臣服的帮派，致江湖闻风色变。大侠吕南人，嫉恶如仇，其妻薛若壁，美丽娇艳，夫妇感情极好，某日探知天争教要袭击好友凌北修，乃邀高手三心神君等赶往相助，于路上见名胜终南道观被烧毁，道士及掌门都被惨杀，知亦系天争教所为大为愤激，抵凌家时，凌已被掳，其妻孙敏亦失踪，急谋援救，不幸三心神君被杀重伤，吕不敌挟三逃遁，三伤不支，临知透露天争教虎视吕家飘香剑诀及藏宝的秘密，吕霍然震惊，急奔返家，适家被围，奋力冲杀，教徒纷逃，旋获薛泣告被教主污辱，吕不禁愤恨，然见薛凄楚可怜之状，不忍严责，薛就向夫婉劝将私藏献出，然后逃亡避祸，吕怒骂之，致薛悲伤欲绝。越日，吕举家迁逃，薛于途中留一纸示绝而去。吕逃至祖上藏宝洞中，遇见隐多年隐侠南偷北盗，教以绝艺，且告知所谓吕家藏宝，吕大感悟，决心消灭天争教。凌被擒受不住美色诱惑降敌, 并愿搜杀吕、孙等以表真心, 不久教徒多人被吕所杀, 教主大惊, 逼迫凌完成使命, 凌立率众大举搜寻, 于途遇孙敏, 竟不念夫妻情份举刀杀之, 继设计擒吕, 被深爱吕的女侠萧苹所知, 即伪杀侵入天争教, 几经艰险, 将吕救出且重创凌, 凌死前向吕忏悔其一生罪孽, 并吐露教主秘密,吕大惊：教主竟然是自己的妻子薛若壁。

由三个互相没有关联的小故事组成。并不想讲述多么高深的道理，只是如标题所说，讲了几个内心想讲的烂笑话。——老番茄