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1949年，正当中国人民解放军在全国范围取得决定性胜利的时候，在我国西北边远的南疆却仍像一池死水，黑暗势力依旧重重地压在人民头上。在南疆古老的喀什县的一个农村里，大地主乌斯满用威逼利诱的办法霸占贫农斯地克的女儿阿娜尔罕。在举行婚礼的夜晚，阿娜尔罕不愿忍受凌辱，抗婚逃跑未遂。结果反被乌斯满打得奄奄一息，扔在了马棚里。长工库尔班同情阿娜尔罕的遭遇，帮助她逃出虎口。这时解放军进疆的消息频频传来，乌斯满和披着宗教外衣的反革命分子依明卡仔勾结，摇身一变为宗教界人士，俨然是一个道貌岸然的卡仔阿訇了。他为了笼络人心，伪装愿意解除同阿娜尔罕的婚约，另一方面对库尔班放走阿娜尔罕也不追究。村里的富裕中农买买提很早就垂涎着阿娜尔罕，这时乘乌斯满解除婚约的机会，急忙到斯地克家来求婚。但是阿娜尔罕的心已深深爱着救过她的库尔班了，买买提只得拿着聘礼失望地离开阿娜尔罕。由于乌斯满怀恨在心，阿娜尔罕和库尔班不得不远离家乡，双双来到一望无垠的戈壁滩上，面对着红柳沙丘举行婚礼。然而荒凉的沙漠毕竟不能长此生活下去，阿娜尔罕又怀了孩子，他们的生活境遇越来越糟糕。1950年南疆终于和平解放，阿娜尔罕和库尔班又回到了家乡。但是乌斯满的势力仍然控制着这块地方，他利用宗教势力把叛教徒的罪名强加在阿娜尔罕和库尔班的身上，尽管进步阿訇玉素甫反对他这种借宗教来报私仇的卑劣行为，但是他仍不顾一切地把阿娜尔罕和库尔班活活分离。阿娜尔罕听到库尔班下落不明的消息后，跳入涝巴，被买买提救起。买买提乘机再次向阿娜尔罕求婚，然而阿娜尔罕一心怀念库尔班，拒绝了买买提的要求，于是她一直被锁在买买提的果园里，和外界断绝了联系。这时正好张杰领着减租减息工作队来到这个村子，群众沸腾的情绪越过果园的围墙感染了阿娜尔罕的心，阿娜尔罕冲出了果园，在斗霸会上揭露了乌斯满伪善的嘴脸。乌斯满急忙利用宗教的力量来转移群众的注意力，又唆使买买提拉住阿娜尔罕的后腿。正巧这时库尔班也回到本村来担任工作队长，他经过党的几年培养，已经是一个干部了。库尔班同阿娜尔罕的重逢，使乌斯满胆战心惊，于是他唆使买买提的母亲造谣，并到工作队闹事，说工作队的库尔班抢走了她的儿媳妇。然后乌斯满又指使司马仪谋杀买买提，最后嫁祸于库尔班。一时是非混淆，乌斯满的气焰又高涨起来。但是邪不压正，在党和毛主席光辉的民族政策照耀下，工作队领导群众终于战胜了披着宗教外衣隐藏在伊斯兰教内部进行反革命活动的敌人。张杰团结广大群众，争取宗教界的爱国进步力量。在铁证如山的罪证面前，乌斯满等反革命分子不得不低头认罪，得到了应有的惩罚。阿娜尔罕和库尔班经过重重波折，终于同新疆各族人民一起，获得了真正幸福自由的生活。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

多年以来，闵俊赫（安在旭 饰）都暗恋着好友的姐姐采英（金惠秀 饰），然而俊赫深知自己和采英之间距离十分遥远，只能将这份恋情深深的埋藏在心底。一场聚会之中，采英喝的烂醉，俊赫将采英带到了酒店，精心照料的她，却在之后被采英误会，两人闹得十分尴尬。为了能够见到心爱的采英，俊赫想了一个注意，他竟然男扮女装，每天和采英乘坐同一辆公交车，就此和采英交上了朋友。俊赫谎称自己会占卜，预测近期将会有一个对采英来说十分重要的男人出现在采英的身边，哪知道采英将占卜中的男人误认为了阔别已久的好友成民，两人很快就走到了一起。

纽约布鲁克林，有一个意大利家庭，每到月圆之夜，他们仿佛被施了魔法，会做出一些莫名其妙的举动。洛丽塔·卡斯托里尼（雪儿 Cher 饰）是家里的独女，年轻貌美，是公司里的会计师。因为前夫遭遇车祸，而成了寡妇。某晚，在酒馆里，洛丽塔目睹了邻桌分手的惨 剧，仿佛受了刺激，决定跟41岁的单身汉强尼结婚。她让强尼用尾戒求婚，于是众目睽睽之下喜结连理。不过，因为母亲病重，强尼离开了纽约，临走时让她邀请弟弟罗尼（尼古拉斯·凯奇 Nicolas Cage 饰）参加婚礼。她去面包房见到罗尼，后者听到婚事异常激动，并讲述了反对的理由。她据理力争，他根本不听。后来，她邀请他到家里做客，希望兄弟俩冰释前嫌，却没想到在一番激烈的争吵后，他们之间的关系发生了微妙的变化……