乔家大院大结局

入围第71届柏林电影节全景单元。Ted K takes a radical approach to addressing Unabomber Ted Kaczynski’s way of thinking. Using intense images and texts from Kaczynski’s pamphlets, the result is no conventional biopic but a meditative composition – and an emotional exploration of violence.

In court for murder, Professor Moriarty is released seconds before Holmes arrives, too late, with vital evidence. Free again Moriarty vows to Holmes that his next crime will be so fiendish and amazing that Holmes's reputation will be finished. Moriarty sets about a fiendish plot involving the crown jewels and a series of mysteries to distract Holmes's mind.I enjoy most of this series as they all seem to run to the same formula. Here the plot goes back to basics and adds more of the mystery and less of the comedy. The plot is an enjoyable battle of wits between the two great minds. The downside is that the side-mystery that Moriarty sets up takes up the majority of the time and the two don't cross swords as well as they do in a gentlemanly beginning. The mystery surrounding Miss Brandon works OK but not really great as you know the whole time who is behind it and why. The jump to the crown jewels is too easily made and is a bit of a letdown.The comedy is less evident than usual but is still there. However it is overwhelmed by the more serious side. Bruce still does well but I was glad that he stood up to Holmes more than usual – telling him off for treating him like a child and such like. Rathbone is a good Holmes but his logic was off here and I wasn't as impressed by him as I usually am. Zucco is an interesting foil, but doesn't get enough time to work here. Lupino in an early role is interesting but a little too heavy and tads to overplay her tension a bit.Overall this is an OK addition to the series. The plot is reasonable but focuses too much on the diversion than the central characters and the reduction in comedy makes it feel a lot heavier than usual.

A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

遠洋漁船回來了，使得炎熱潮濕的漁港活絡起來。顧船人的工作要訣是睜一隻眼、閉一隻眼，只要船還在都不是大事。但心軟的莊仔卻將港口賣春的精障女子Neko安置在廢棄船；又將自己捲入菲律賓籍與印尼籍漁工間的爭執風波……。而船老闆要賣掉廢棄船，他們將何去何從？