林正英僵尸全集国语

旁观的人群在窃窃私语，他们说一台手风琴永远无法和一匹白色的马对话。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

时值抗日战争时期，铁路工人李玉和（浩亮 饰）肩负着接应地下党交通员的重任。女儿铁梅（刘长瑜 配音）年纪虽小，却耳濡目染，与这个没有血缘关系的爹爹和奶奶（高玉倩 饰）具有同样的爱国情怀和革命热忱。是夜，携带重要密码的交通员被迫跳车，遭日寇枪伤。李玉和将其背回家中，却未能挽救他的性命。另一方面，日本宪兵队队长鸠山（袁世海 饰）奉命展开全城大搜捕，势要找到那份至关重要的密电码。关键时刻，革命队伍出现叛徒，鸠山将目标锁定在李玉和身上，为了找到密电码，残酷的敌人无所不用其极。而李氏一家三代也迎来了最为严峻的革命考验……该剧根据电影《自有后来人》改编，为文革期间八个样板戏之一。

在二零零四年的十月和十一月，P.K.14乐队开始了他们第一次全国巡演。经过一个多月的拍摄，这部记录了这次巡演过程的作品最终成为一扇窗口，带领我们进入到这支来自南京的后朋克乐队的奇异世界中。在跟随着乐队转辗于火车，汽车，卡车，货车，出租车，手推车的同时，戴维.哈里斯也引领着我们进入中国的现在，穿过城市和乡村，进入到现实生活中。我们将会看到乐队在各种场所各种情形下表演他们的音乐，我们也将会看到他们是如何在今天中国纷乱吵杂的众多声音中找到自己的位置的。(特别收录P.K.14乐队音乐录像《他们》，乐队二零零五年欧洲巡演照片，歌曲现场版，以及更多影像花絮。)屏幕比例16:9和4:3，彩色，片长55分钟。简体中文和英文字幕。摩登天空出品