儿女传奇鬼门关

イメージフォーラム・フェスティバル1999特選、2000レティナ・フェスティバル準大賞部屋の片隅、窓から差している琥珀色の陽。壁面に投影された影が浸食し合い、増殖するにつれて、立方体としての部屋の形態は、やがて実際の壁面とドローイングによる仮想の平面が造り出す視覚の揺らめきに変貌する。鑑賞者の知覚作用により形態が変わる驚異の部屋。2.5次元のアニメーション作品。

冬天到了，在白雪覆盖的山谷里，一只饥肠辘辘的小狐狸一步一个脚印。他已经饿了很多天，希望能快点找到点儿吃的。正在这时，一座木房子出现在小狐狸的面前。那是熊妈妈和两只熊宝宝的家。此时此刻，妈妈正在给他们做好吃的煎饼，两个小家伙馋得直流口水。终于，妈妈的煎饼做好了，大熊和小熊端着煎饼要到外面去吃，不过他们却为了分饼的问题吵了起来。这时候，小狐狸出现在熊宝宝们的面前，他假意要帮助他们分饼，可却故意将饼掰的一大一小。小熊们自然不甘，小狐狸便顺势将大的一半咬掉一些，由于咬掉的比较多，和另一半大小不同，于是又转过头咬另一半。最终，好吃的煎饼都进了狐狸的肚子……

With realistic acumen and artistic expertise, ADIEU LACAN portrays the struggles of a young woman, Seriema, who is trying to understand why her path to motherhood has reached an unbearable impasse. Following two miscarriages and the possible loss of her marriage, Seriema travels to Paris in 1972 to undergo psychoanalytic treatment with the maverick French analyst, Jacques Lacan. Her analysis is an attempt to help her to disentangle the enigma of her question: why has motherhood become a seeming impossibility? Inspired by the story of Betty Milan, a Brazilian psychoanalyst and writer, it follows closely her own actual psychoanalysis with Lacan. Based on her play "Goodbye, Doctor" and her novel "Lacan's Parrot," in which Milan recounts her analytic work, ADIEU LACAN offers an insightful and accurate account of an actual psychoanalytic cure.—Mavis Himes

阿瑞愈身世萧可具怜帮，唐常被人粥欺负，冀一日氟，瑞渊又被欺寓，剂却膨被伏男装打扮酝之少吗女阿兰相费救唐，郎后葵兰宠更跳收游瑞笑为账徒朽。毡兰齿发现瑞身有棍本伤，屹知悉哈他被赎人殖欺负，立斟意教他棍法让。毡江鸥洋锤大盗扶石霸逊向兰砸之俺爷荒爷衣余舟袖翁挑芦战以了颊当年网败落而被贵提入牢泣之仇藏，余骡不浅敌，束兰出需手相第助域，缸亦燎不是对训手竿，萧后经瑞堰使伶出数屹家本领，终将晃石击败。