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阿盛（李天柱 饰）是一个在北京生活已久的台商。他有两个老婆，一个离婚已久的台湾前任（谢琼煖 饰），一个感情不错的北京现任（王琄 饰）隔着两岸，不相往来。阿盛也有两个女儿，一个叫嘉欣（林子君 饰），一个叫恋恋（陈怡溱 饰），妹妹因为崇拜姐姐，从北京来台湾念大学，两人同住在一个屋簷下。妹妹刘恋在游泳队的潜水活动中意外身亡，警方判定她是因过量安眠药引发窒息死亡，认为同住的姊姊嘉欣身为潜水老手，与其一同下水，有故意杀人的嫌疑。爸爸阿盛回到台湾为小女儿办理后事，与疏离已久台湾的大女儿嘉欣再度重逢。身在北京的恋恋妈妈来台誓要查明真相。阿盛的前妻，嘉欣妈则誓要保护嘉欣。而游泳队长伯谚（黄尚禾 饰）内心似乎藏着什麽秘密......一对父女，两岸的家庭，就此掀起一场关于过往的风暴。

车衣厂女工冯英好打不平，勇武过人，被称为沙胆英，与工厂女工陈芳、李细珠结为金兰姊妹，三人严惩歹徒，为工友出头，大快人心，但却同时得罪了黑道大阿哥，而大阿哥手下刘伟原来是沙胆英的旧情人；当沙胆英落入大阿哥的魔掌，性命岌岌可危之际，陈芳、细珠等女工……

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

本世纪初，在湘西沅水河上游流传着这么一说法：一个女人出嫁后到河上去做几年卖身生意，趁年轻攒点钱，买点田地、牛羊，然后回家与身强力壮的丈夫生儿育女，尽天伦之乐，认为是一份好人生。 善良、柔情的乡村女子媚娘，就是带着对未来的幻想，由年轻、纯朴的男人送到河上讨生活。大家闺秀三三以少女的纯朴、真情与豆腐店青年老板四狗子相恋，不料家长让她嫁给省城阔少。为此，三三吞金自尽。四狗子在悲痛之后掘坟盗尸，并在山洞中为自己和三三举行了殉情仪式。威震沅河流域的土匪女大王被俘后，其美貌引得许多军官的垂诞，但她却与怀才不遇的青年军官曹伍相好，以致在狱中偷情，最后双双饮弹自尽。还有像天天那样的女子，喜欢以一个女人的自信，调皮大胆地向各式各样的男人冲击，以显示她的存在。那娶了七房姨太太的旅长，砍头不死的副官，被人出卖的土匪龙大哥等等，在湘西沅水这个偏僻的地方，构成了三十年代河上妓女风情画。影片以叙事歌谣的方式讲述了20年代湘西沅水流域上飘泊的一位烟花女子与命运抗争的故事。同时通过对人文、文化、人性的描述，反映了当时的社会风俗。影片以叙事歌谣的方式讲述了20年代湘西沅水流域上飘泊的一位烟花女子与命运抗争的故事。