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香港庙街，鱼龙混杂。自幼在这里长大的阿庙（郑伊健 饰）见识生活的残酷种种，父亲在他很小时被人当街砍死，母亲靠唱黄色歌曲养活儿子。年轻帅气且重义气的阿庙拥有诸多追求者，更有螃蟹（葛民辉 饰）这样一个好朋友。阿庙生日那天，他在深圳放烟火时结识了美丽的富家女小篆（吴倩莲 饰）。当晚，小篆被流氓骚扰，阿庙出手相救杀死流氓，因此入狱四年。四年后，阿庙出狱，此时小篆已经成为电台的DJ。通过电波，这两个互有好感的年轻人重新取得联系。然而他们毕竟身份悬殊，阿庙在小篆父亲的公司谋得一分职位，却无法适应这种所谓上流社会的生活。小篆的父亲为了让女儿和这个“小流氓”分手，不惜采取陷害的手段。阿庙因此被俘债务，甚至因此与庙街的黑道发生冲突。

律师贝克正在追查一桩凶杀案，当事人梅森中尉和他那自称被死者强暴的太太对真相有所隐瞒，死者邦尼和他们夫妻俩到底有何秘密？贝克能查到线索，找出事实的真相吗？

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

情人节临近，华伟相约朋友圈中的富二代俊男靓女们到国外开夜蒲派对，并计划在这特别的节日向女友娜娜求婚，制造惊喜。热辣的夜蒲派对以放纵奢靡的方式进行。一行七人当中，华伟挚友健明（王宗尧 饰）与娜娜（李昕岳 饰）暗生暧昧情愫。此外还有性感开朗的海滴（石咏莉 饰）、知性理智的美瑾（ 雨侨 饰）、从新加坡赶来的家杰（魏玉海 饰）、患有焦虑症的柏芝（裴殷 饰）与她的健壮勇猛男友仁宝（谷尚蔚 饰）。七人虽然是好友，但情感与利益关系也复杂的纠葛在一起……