英雄豪杰之苏乞儿

一股邪恶的力量唤醒杀人小丑亚特。在万圣夜，杀人小丑亚特回到迈尔斯镇，他的目的是抓拿一名少女和她的弟弟，并在万圣夜当晚将他们两人杀害。小丑亚特杀人不眨眼，受害人数不断增加，姊弟两人为生存而奋战的同时也努力探查杀人小丑亚特背后的动机。

老虎的出现令热闹的森林瞬间变得安静，小动物们纷纷逃到安全的地方藏了起来。老虎走到一个山洞门口停下时，洞里的山羊吓坏了，但灵机一动，它想到了好办法。山羊假扮自己是大王，一边大声说老虎肉真好吃，一边让老虎快进洞来，后来转念一想，担心老虎有可能真闯进来，索性走出山洞，再用智慧将老虎吓得魂飞魄散。老虎遇见狐狸，将遭遇讲给它听，狐狸听完老虎对大王的描绘，哈哈大笑，说那不过是一头山羊。为了让老虎相信自己所说的话，狐狸带它找到山羊，可是它俩加起来，在山羊面前是一对笨蛋。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

乔治·卡林的第一部喜剧特别节目在南加州大学现场拍摄。在这里，他谈论垄断、坐飞机、胡思乱想、行走等等。