回家的诱惑10

悬崖底部，一个男人静静地躺在里，浑浊的眸子再也看不清这个充满谜团的世界。根据死者信息，刑警张海俊（朴海日 饰）很快便找到了死者的妻子——来自中国的宋瑞莱（汤唯 饰）。瑞莱拥有姣好的面庞，眉宇之间散发着淡淡的魅惑。出人意料的是，她对丈夫的死表现出异于常人的平静，这不得不引起张海俊的怀疑。在此之后，张对瑞莱展开跟踪调查，而瑞莱非但不恼，反而似乎享受着警察与嫌疑人、男人与女人之间若即若离的暧昧。通过一段时间接触，张海俊对女人的迷恋越来越深，调查也似乎进入了死胡同。她是杀人凶手吗？她怎么会杀人呢……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

还是中学生的Chul-soo（郑雄仁 饰）和 Ae-lang（蔡敏瑞 饰）初尝禁果，就结下了果实。还是孩子的Chul-soo在不知情的情况下，于一年后在学校意外被收到了一个男婴，而这就是他的孩子。起初接受不了这个事实的Chul-soo想要找Ae-lang问个明白，可是她却已一走了之。无奈之下，Chul-soo开始了和儿子Cho-won（俞承豪 饰）的父子生活，从起初的艰辛到后来的血浓于水，父子二人于平淡中快乐的生活着。九年过去，Chul-soo成为了一家夜总会的主持人，而Cho-won更可谓是在夜总会长大，俨然一个小大人。这时，从外国回来的Ae-lang在意外的情况下，和父子二人见面。一切似乎又回到九年前，戛然而止的曾经的恋人因为误会和时间被分开，而再度的重逢能否将这段感情挽回，而这得靠他们古灵精怪的儿子Cho-won来帮忙。

美国独立二百周年之际，精心筹备竞选活动的总统候选人，穿插其中的社会名流，借机扬名的乡村歌手，疯狂追捧的歌迷，冷眼旁观的BBC记者……各色人物你方唱罢我登场。在盛大的晚会上，女明星被刺杀使整部电影达到了最高潮。“你可以说，我不自由，但我并不为此而担忧”——在片尾冷漠的歌声中，镜头迅速地掠过场下喧嚣的人群，在那些呆滞或扭曲的面孔背后，是已被大众文化腐蚀而失去独立意识的空洞灵魂。擅长处理群戏的罗伯特?奥尔特曼以其出色的调度与控制力，在“喋喋不休”的对白与“混乱无序”的场景中，精确地描绘了越战阴影下美国芸芸众生的人情性态，并深刻揭示出普世欢腾气氛下的美国社会精神危机。本片获得奥斯卡最佳电影与最佳导演等提名，堪称美国70年代电影代表佳作。