曹颖拍过的电视剧

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

9岁的人类少年莲（宫崎葵 配音）痛失母亲，他拒绝亲戚的照顾，独自跑上熙攘的大街，偏巧遇到了偶然来人间寻找弟子的怪物熊彻（役所广司 配音）。怪物界的宗师（津川雅彦 配音）即将转生为神，接任他位置的人选将在猪王山（山路和弘 配音）和熊彻之间产生，但是没有嫡传弟子让熊彻希望渺茫。借此机缘，莲闯入了怪物世界，他和熊彻之间争吵不断，可是在冲突的过程中似乎又渐渐认同彼此。转眼间莲（染谷将太 饰）已成长为武功高强的落落青年，他无意中回到人间，重拾了失落已久的身份和感情。与此同时，决定宗师的日期一天天临近，谁也没有想到的意外却发生了……

因战争连年，地球环境遭到破坏以致频临灭亡，人类被迫离开地球，五百年来一直生活在巨大太空船内的城市中；主控城市的电脑系统为免人类重蹈覆辙，特意隐瞒实情，让人类生活在虚拟二十世纪的社会中。飙车族矢作省吾从不关心社会及世界事物；他与同伴每天都在玩乐及飙车。直至有一天，他的一位旧朋友把一部神秘的超级电单车留了给他。这部名叫格兰度的超级电单车原来隐藏着一个重大的秘密。利用这部电单车，省吾发现了人类原来一直生活在巨大的太空船内，由一部名叫巴哈姆的超级电脑系统操控着…

该片外八门之黄金罗盘讲述了两个盗门后人，混迹于街头。偶然间救了机关门女传人，同时得知了两个门派的玉佩可以解开一个江湖流传已久的宝盒的秘密。因此两边联手，和江湖恶势力及觊觎宝物的日本人展开了一场惊心动魄的夺宝之争。最终盗门传人悟透盗门的失传绝技，打败恶势力，成功保护了宝盒。