银河奥特曼特别篇第二集

改编自第二次世界大战真实历史的海战电影，描写英国海军苦苦追击着名的德国战舰“卑斯麦号"。导演刘易斯．吉尔伯特以颇具风格的纪录手法来处理这一场海上追逐战，在精彩的特技协助之下，两军对阵的场面激动人心，在英国出品的战争片中属上乘之作。肯尼思．莫尔、达纳．温特、凯尔．斯特帕尼克等一群英国演员表现称职。

2018年11月，来各世界各地的88名年轻钢琴家汇聚在日本浜松，为了参加第10届浜松国际钢琴比赛。从小就备受瞩目的钢琴神童，14岁就来挑战的中学生，在海外留学多年的女硕士，韩国的钢琴王子……每位选手的背后都有着自己独一无二的故事。本次比赛也因为同时获得直木文学奖和书店大奖的小说《蜜蜂与远雷》的热卖而引起了广泛的关注。

影片围绕失去父母的姐姐在面对追求个人独立生活还是抚养弟弟的问题上展开了一段细腻感人的亲情故事。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb