武松潘长江

新闻记者未洙（Sun-Ju）怀疑灵异体与她侄女之死有关，因为她发觉有个青年人及其三个朋友都是死于同一时间。她旅行回来之后，未洙发觉与其侄女之验尸官蔡先生（Choi-yeol）都有同一个可怕预感。未洙及重访那班青年走过的小径时发现了一盘没有名字之录像带，当她看这盘带时，发现了线索。这带内容透露了可怕怪诞图像及生命受威胁的信息，而其中最重要的救命信息却被咒诅因而不可理解。其后蔡先生未洙更进而探究，解开死亡之谜。

本美术片为木偶片，讲述了一个发生在西方国家的荒唐故事，今天看来，有一定的政治隐喻。金发和银发是一对苦命孤儿，他们有动听的歌喉，却只能靠它在繁华的大都市乞讨过活。某日，他们将同情心倾注于被人类拒之门外的一猫一狗身上时，身后高级餐厅里一个投机商人被报纸上一条高价征求名贵猫狗的消息吸引，随后，这对猫狗成为商人的宠物。电台要举办歌唱比赛，第一名可获巨额奖金的广播被自称“慈善家”的女人听到，准备发一笔横财的她开始四处寻找会唱歌的猎物，金发和银发成为幸运儿。该消息同样被投机商人得知，他又决定把猫狗培养成二重唱组合。讽刺的是，比赛现场裁判不顾观众的一片反对，坚持让猫狗组合拿头名，而之后，投机商人更是不费吹灰之力捡到许多从天而降的大馅饼。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster... Written by Michael Brooke {michael@everyman.demon.co.uk}