双天至尊第二部

本次“金马53”年度广告邀请到赵德胤、陈哲艺、毕赣三位新导演分别拍摄，目前陈哲艺执导的部分已经出炉。短片中，张震回到当年拍摄《牯岭街杀人事件》的场景，并在黑板写下“小四，谢谢爱电影的你”

＜落鹰峡＞是结合武侠世界和爱国思想的首次尝试，由掀起军教片的重要核心人物张法鹤和编剧邓育昆共同撰写剧本。叙述北伐革命军之前锋楼明月君与高寡妇家人及省城的军火贩子，在“落鹰峡”争夺北洋叛军所留下的军火等一连串的侠情故事。 影片故事虽简单，然而布局紧凑，在压抑封闭的气氛中，也透露出阵阵民初旷野的侠义风格。名为落鹰峡的山洞，暗藏一批为数可观的军火，引来军火贩子，北洋军阀和国民党特工人员个方人马的争夺。杨群扮演楼明月是典型武侠片中正气凛然的英雄，扮演反派角色刀疤老六的孙越，演技尤其传神。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

导演：王天林编剧：张爱玲摄影：范杰剪接：王朝曦制片：王植波监制：林永泰出品：电懋主演：梁醒波、刘恩甲、白露明、钟情1964 / 黑白 / 111分钟南北系列来到第三部，南北的分歧作为引子，戏剧的发展和冲突，主要来自梁醒波易弁而钗的“姑妈”身上。故事桥段脱胎自英国话剧《真假姑母》，刘恩甲反对女儿与广东人田青交往，被公司指派巴结来港投资地产的华侨女富商却正是田的姑妈。姑妈临时改期来港，田只好找来友人扮女人顶替，于是反串、误会、错摸、博懵、谎言……，祖师奶奶制造出一连串笑料，把闹剧进行到底。张爱玲看通香港的拜金现象，也深明戏剧的卖点，不但继续要梁醒波、刘恩甲打到滚地葫芦，还安排钟情、白露明泳装上场。姑妈的两位追求者是看钱份上，而两位女主角面对爱情，视作世界上最伟大的事业，最后得偿所愿成为“结婚员”。