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弗兰喜欢考虑死。当她让办公室里的一个男人发笑时，他想要更多——一个电影约会，一块馅饼，一次谈话。但是如果和他约会意味着要学会生活，她很肯定她不能那样做。

Lu Pan and Yu Araki share home video-footage of their 90s childhoods in all their funny, celebratory, awkward and banal glory. Edited together remotely during the pandemic, the two artists discuss early home video technology, the social status of this footage in different contexts (both migrated as children), and also how these images were made and circulated. Their playful yet insightful conversation stitches the chaotic footage together and gives new life to a nostalgic form of cinema.

故事发生在琦玉老师头发还没有掉光的时候，这一天身穿蓝色运动服的他在追捕偷东西的箭毒蛙怪人，谁知期间不慎刮坏了自己的裤子。万般无奈，在打败箭毒蛙之后，他带着破损的衣服求助于相识的和服店老板。老板见他反反复复穿着同一套运动服，所以热心地向他推荐极具视觉冲击力的和服礼服套装。琦玉绞尽脑汁，总算推脱掉了。与此同时，残存于衰败商业街的和服店正面临不法分子蚕食的危险。从老板口中，琦玉得知这群不法之徒的存在，更惊讶地发现自己居然和他们住在同一座公寓中……本片根据ONE、村田雄介的同名漫画改编，是同系列TV动画版的OAD动画。

In 1995, the young Taiwanese woman writer Qiu Miaojin committed suicide in Paris’s Montmartre district, leaving behind the autobiographical novel LAST WORDS IN MONTMARTRE. Two decades later, the novel was published in English by the prestigious New York Review Books, bringing Qiu renown in Western literary circles and quickly prompting translations into other European languages. Qiu is considered the first openly lesbian novelist in the history of Chinese literature; her debut novel, NOTES OF A CROCODILE, became a “Bible” for the Taiwanese lesbian community and an underground classic in Taiwan and Hong Kong, with an official edition finally published in 2012. DEATH IN MONTMARTRE travels through Taiwan, Paris, and New York to trace the life of this literary star who enjoyed fame only after her death, interviewing literary masters from Taiwan, France, and the U.S. while discussing LGBTQ culture and lesbian literature from a perspective of equality.