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堪萨斯的农民威廉（克林特·伊斯特伍德 Clint Eastwood ）年轻时曾是出名的杀手和劫匪，然而当遇上了克劳迪亚后，他的生活开始彻底改变。威廉和克劳迪亚结婚生子后，洗手不干，一家人过着幸福的生活。好景不长，克劳迪亚不久故去，威廉独立带着两个孩子过着清贫宁静的生活。这时，该地区发生了一起牛仔醉酒殴打妓女并将其毁容的恶性事件，坏蛋警长达格特（吉恩·哈克曼 Gene Hackman 饰）只将此事草草了结，凶手仍逍遥法外。当地妓女纷纷捐钱，要求悬红1000美金请杀手来伸张正义。“思科菲尔德小子”找到威廉，要求合伙干这票买卖。为了给孩子们一个幸福富足的家庭，威廉终于答应再次出山。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

车衣厂女工冯英好打不平，勇武过人，被称为沙胆英，与工厂女工陈芳、李细珠结为金兰姊妹，三人严惩歹徒，为工友出头，大快人心，但却同时得罪了黑道大阿哥，而大阿哥手下刘伟原来是沙胆英的旧情人；当沙胆英落入大阿哥的魔掌，性命岌岌可危之际，陈芳、细珠等女工……

【桔醬】女主角細妹是快樂的獨居母親，講客家話（即使講國語時也帶著腔調口音），耕種農地，愛吃玉米、茂谷柑，自製桔醬和醃菜到市場擺攤販售；她在台北工作的兒子榮新和女友靜軒卻以另一種全然不同的方式在生活，他們工作講英文，租的房子裡用現代傢俱，休閒娛樂的穿著接近流行款式，慶祝時是西式餐盤加高腳杯，手提電腦和手機幾乎不離手。因為細妹擔心兒子的未婚妻不習慣老家的殘破，而突發奇想要在舊有的農地上蓋一棟歐式洋房，讓兒子結婚有面子。由於她沒什麼錢，必須親手自己蓋房子，這是客家人辛苦事情不怕自己做的精神，只是她並不知道兒子和他女友嚮往離開台灣到國外去定居。