数码暴龙大冒险tri

this shocking sequel to TRUE STORY OF A WOMAN IN JAIL: SEX HELL, Mayumi (the tough inmate from the first film) emerges from solitary confinement to find an all-new gang of bullies picking on a meek, young female prisoner. Mayumi is now a much harder soul who takes no attitude from anyone, and she turns savage when the poor girl is enslaved by Yakuza! No one is safe as Mayumi takes down the entire jail in a sudden act of violent carnage.Nikkatsu turns the women-in-prison genre on its head yet again with TRUE STORY OF A WOMAN IN JAIL: CONTINUES. If you thought the first film was brutal, wait till you see what’s in store here! Bath house attacks, lesbian sex scenes, rapist prison guards, violent abortions and even a transgender inmate add to the exploitation fun!

This film is about haunting memories of Asia's late 20th-century modernization. The story departs from a 1965 United States embargo on the hair trade, known as the "Communist Hair Ban". Yet, in every wig resides a ghost from the imperial past.Wigs were vital for the rise of the Asian economy in the post-war era. In the heyday of the 1960s, it was the number four export in Hong Kong's export-orientated industrialization. Between Mao's China - the largest source of hair supplies, and the insatiable Western market, Hong Kong functioned as the gateway. In 1965, U.S. Treasury Department imposed an embargo on "Asiatic hair", to cut off foreign currency to Communist China in the hair trade. The highly racialized category of "Asiatic hair" was later revised as "communist hair", to enable the wig industry to develop in U.S. allies including mainly South Korea and Japan, which led to a significant reconfiguration of light industry in East Asia. Departing from the moment of the communist hair ban, through stories of movement, diaspora and migration, this project examines the role of Hong Kong as a transient space that mediates and sanitizes the connection between different worlds, and the relationship between U.S. Imperialism and East Asia order in the Cold War era.Produced by: Ruoyao Jane YaoDirector of Photography: Yavuz Selim IslerCameraman (Hong Kong): Fai WanSound Recording: Franco van der LindeCasting Director: Sai-wang LauMakeup: Ika KartikaColor Grading: Bob LemmVoice-over:Jia Zhao, Hamza Junaid, Tommy TseCast:Zoenie Liwen Deng, Ruoyao Jane Yao, Zoe Tang, Michael de Ross, Sidney Vereycken, Sai-wang Lau, Jo-Lene OngProduced by:Geodesic Studio, Vines FilmsThanks toWAAG Society, Amsterdam16mm Film Transfer and ScanningAndec Filmtechnik, Berlin

1944年，二战如火如荼，战争局势波谲云诡。纳粹德国四面出击，但在盟军的合力反击下，德军攻势已成强弩之末。此时此刻，德军一部分高级军官意识到战争的天平已经倾斜，希特勒（David Bamber 饰）的战争策略将引领德国走向灭亡。越来越多的军官相信，只有除掉希特勒及其支持者，发动政变夺取政权，并通过和谈与盟军达成协议，才能最终拯救德国。在这样的思想影响下，一个名为“瓦尔基里”的计划应运而生。在整个计划中，陆军上校克劳斯?冯?施陶芬贝格（Tom Cruise 汤姆?克鲁斯 饰）扮演着重要的角色。出身贵族的施陶芬贝格一度倾心希特勒及其纳粹纲领，他于1943年率装甲师驰骋北非突尼斯战场，并在此失去右手臂、左手两个手指以及右眼。战争的残酷令他的思想发生巨大转变，回到德国后他作别妻儿，与刺杀组织高层军官共同开始策划谋杀最高元首希特勒的危险任务……

青年歌唱演员拜尼莎即将与她的男朋友、旅游局司机希里甫结婚。女傧相是北京舞蹈学院毕业的大学生，拜尼莎要求男傧相"门当户对"。希里甫根据拜尼莎的要求，只好找他的朋友--维吾尔族卖烤羊肉的个体户青年买买提帮助，并对拜尼莎说他是旅游局的翻译叫阿里木。希里甫的婚礼如期举行了，化了装的买买提，充分发挥了他的才能，使整个婚礼既热烈又隆重。拜尼莎的女傧相迪里娜尔更是引人注目，她的带民族特色的迪斯科使全场轰动。阿里木和迪里娜尔在舞蹈中彼此产生了好感，俩人相约两个月后相见。两个月过去了，迪里娜尔无从寻找阿里木，陷入深深的忧愁之中。迪里娜尔向拜尼莎夫妇说她非常想见见阿里木，希里甫只好让买买提再将近扮成阿里木一起去看演出。某日，迪里娜尔和拜尼莎来到餐厅，买买提正热情地挂靠着顾客们，不巧，粘贴的胡子脱落，买买提只好捂着嘴巴谎称牙疼。迪里娜尔对买买提的烤肉表示非常满意，并请买买提过几日一起到她新搬的家中做客。经过一连串阴差阳错有趣的事件，迪里娜尔最后发现阿里木就是买买提，自己当了"受骗情人"，她决心惩罚买买提。她给买买提出的信中说：她深爱着的是阿里木，不管阿里木如何变化，只要他心不变，就爱他永远永远。买买提十分懊悔自己的陈旧的门第观念，委屈了迪里娜尔。买买提决心对迪里娜尔说明真相。迪里娜尔并不是短见识的姑娘，她当即就给了买买提肯定的答复，于是，有情人终成眷属。