chinese紧缚bdsm系列

在郊外一家书店打工的“我”，与“我”同住一屋的静雄，以及“我”的同事佐知子。往来间，佐知子与“我”渐生暧昧，静雄对佐知子亦暗生情愫……互为朋友和恋人的三个年轻人，和一段带着夏日燥动的肆意青春。

塔林电影节新导演单元Japan’s Koji Yamamura, already a renowned artist and animator, brings the international premiere of his feature debut, Dozens of Norths, to our 25th birthday edition of PÖFF. The experimental and existential hand drawn and painted piece, charts a dialogue-free voyage into an alien northern realm: it’s skeletal architecture and chilly inhabitants.

老人罗山木（石磊 饰）收到儿子罗家兴在美国毕业归来的信息，多年夙愿得偿，却因为心脏病突发与世长辞。家兴回国来家中看望，回忆起父亲对自己的教诲深感愧疚遗憾。原来，家兴（李羽田 饰）自幼顽皮，胸无大志，梦想是在戏院作领位，遭人讥笑。而父亲罗山木因为学历底下，虽然在银行勤勤恳恳，却始终难得升迁，因此他希望儿子不要步自己后尘，所以对他严加管教，希望可以出人头地。家兴少不更事，完全不懂父亲苦心，只知道与邻家男孩厮混，两人翘课看戏，屡屡犯禁，闯祸无数，最终连续5次被退学，却依旧玩心不死。他高考落榜，背着父亲去考艺校，令老人极为失望。最终，罗山木做出了一个极为艰难的决定，这场命运的交易也最终让家兴开始发奋读书……本片获得第1届香港电影金像奖最佳影片，方育平摘得最佳导演。

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.