菲菲影视城

维吉尼亚·马德森饰演的学者海伦，正在研究一个流行于美国民间的传说：“糖果人”是一个死人，他用铁钩代替自己失去的右手。只要对着镜子连叫五声他的名字，他就会带着铁钩来到你身边，并且成为你这一生中最后见到的东西。海伦来到芝加哥展开实地调查，一连串谋杀案亦陆续发生……

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

刚从监狱释放的仲原义明（小原秀明 饰）及其同伙在海滩骚扰正在约会的情侣，他们杀死男人，强暴了女子，并欲将其贩卖从事皮肉生意。偶然间，仲原得知这个名叫南云杏子（岸ひろみ 饰）的女人的真实身份。杏子是下期首相候选人南云善悟（丹波哲郎 饰）的女儿，她不满父亲出于政治目的为自己安排的婚姻，一心寻找真正的爱情。仲原意识到好运临头，他绑架杏子，向善悟勒索赎金三千万日元。为了秘密救出女儿，善悟求助警方的0课。所谓0课，即秘密搜查组织，他们采取游离于法律之外的手段追捕罪犯，替政要解决棘手难题。美丽刚强的女警零（杉本美樹 饰）正是其中成员之一，她因杀害变态美国外交官而被投入监狱。警方高层以无罪释放为砝码重新起用零，以追查仲原一伙……

directed by Jang Sun-Woo is a personal essay on Korean cinema told as a journey through a country torn by war and crushed by military dictatorships and colonial oppression. The journey takes Jang Sun-Woo from Seoul to the de-militarised zone near the North Korean border, interviewing noted filmmakers, local farmers, and cinema-managers along the way, looking for the essence of the much-censored national cinema.