海贼王黄金之心

Tyrese Gibson, John Malkovich and Michael Jai White will star in Red 48, an indie action thriller from Yale Productions.Jon Keeyes (The Harrowing) is directing the feature, which has an original script by Mickey Solis and is wrapping production this week in and around the Tri-State area.Gibson will play Kyle Snowden, a troubled former Marine turned child protective service officer who must save an immigrant child from a dangerous criminal who has trapped them and other hostages inside a convenience store. Adding more power to the keg: The store is owned by the Snowden's stepfather, Sam Safty, being played by Malkovich. White plays Sparks, the Safty's no-nonsense bodyguard and confidant.Gibson is also producing the project along with Keeyes. Jordan Yale Levine and Jordan Beckerman are producing via their Yale Productions banner.

讲述了山中寂静的清晨，甚吾和妈妈将被人抛弃的小婴儿抱回了家，这个妹妹从小就在哥哥的爱护下长长，甚吾非常疼爱她的妹妹，时光飞逝，跟在哥哥身后的小妹妹美子变成美丽的大姑娘，哥哥越来越喜欢她，本想在村里盛大的舞会向妹妹表白，却发现美子爱上了在学校教书的野田君，甚吾心里痛苦极了，经过内心的挣扎，他衷心祝愿妹妹幸福，并说服了妈妈接受了野田君……

1994年的小镇荫城，人畜无害的青年人突然狂性大发，连杀数人。这一恶性案件打破了荫城的宁静，同时也勾起了这座神秘小镇尘封已久的恐怖回忆。在荫城的历史上，每过十几年就会发生一次恐怖杀人事件，荫城由此也被外界称为杀手之都。坊间传闻，荫城遭到女巫诅咒，厄运在所难免。这一天，女子高中生迪娜（基亚娜·马德拉 Kiana Madeira 饰）随队前往隔壁的森尼维尔市参加比赛。这座城市与荫城截然相反，从来没有发生过恐怖事件。迪娜的好闺蜜萨曼莎（奥利维亚·韦尔奇 Olivia Welch 饰）就是为了躲避荫城的诅咒搬来这里，两人也因此友情决裂。可就在这一晚，女巫的诅咒降临到这群年轻人的身上，杀戮再度上演……《恐惧街》三部曲改编自R·L·斯坦的畅销恐怖小说系列。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.