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Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

该片改编自同名电视剧，讲述了地图上不存在的跨越时空的“深夜咖啡屋”里发生的甜蜜、苦涩、治愈的故事。

20世纪初，Amberson家族在当地是一个名门望族。年轻人Eugene Morgan（约瑟夫·科顿 Joseph Cotten 饰）苦苦追求Amberson家的Isabel（多洛雷斯·卡斯特洛 Dolores Costello 饰）无果，Isabel最终嫁给了Wilbur Minafer（Donald Dillaway 饰演），两人生下儿子George（提姆·霍尔特 Tim Holt 饰）。George在父母的溺爱下长大，从小就是个骄横的孩子，长大后更是变本加厉。从大学回家的George遇到了来他们家做客的Eugene Morgan，此时的Morgan已是一个在研究动力车的人，他的妻子去世，留给他一个女儿Lucy（安妮·巴克斯特 Anne Baxter）。George爱上了Lucy，而George的姑姑似乎也对Morgan青睐有加。不久George的父亲去世了，George开始在Amberson家族里当家做主。他听闻了Morgan和他母亲的一些传闻，严厉阻止了其发展，并带着他的母亲去欧洲旅游。而Morgan的汽车研究正在不断壮大，却遭到了George的轻视。无视社会发展的George正在随着Amberson家族的没落而渐渐失去了他原有的一切......本片根据Booth Tarkington于1918年出版的同名小说改编，提名奥斯卡最佳女配角和最佳影片等奖项。

无可替代的怪物刑警马锡道华丽回归！在越南一举缉拿逃犯后，过了7年，马锡道（马东锡 饰）晋升至首尔广域搜查队，组建新的警察队伍调查一起离奇谋杀案，以期尽快抓捕到罪犯。案件调查中，马锡道发现隐匿于案件之下的新型毒品犯罪，遂决定扩大调查范围。而毒品案件幕后主使者朱成哲（李浚赫 饰）肆无忌惮地扩张这一系列的非法交易。同时专营药品流通的日本组织头目Ricky（青木崇高 饰）也来到韩国，卷入交易案件中，使犯罪规模日渐扩大。为将犯罪分子缉捕归案，马锡道将携队友展开一场惊心动魄的打击犯罪行动。