徐若瑄的电影

看点：蒙冤的青年人偶然开始一段跌宕起伏、惊险连连的盲流生活。爱情、友情和恩情相交织，在茫茫的大西北一一上演。蒙冤入狱的复员转业军人史岱年在从江苏押往青海的路上，跳下火车，开始了大西北的盲流生活。途中，他与甘肃姑娘曲豆妹相遇，两人结伴而行，不料却因被盲流管理人员抓走而分手。在“盲管所”中，史岱年认识了从河南逃荒来的老盲流崔连登。他怂恿小史开一辆车逃走，可自己却死在了路上。还好沙石厂的盲流工人老铁头救了他。一天，老铁头被逼债的人打伤，临死前，他向史岱年讲述了自己的坎坷经历，原来他就是豆妹的父亲。史岱年平反后找到了豆妹，决定把自己永远的献给豆妹和大西北。

林丹（甄子丹扮演）正直刚烈，因为不满其上司小人嘴脸， 愤而辞职，林丹的好友边涯也是个有抱负的警察，然而亦被上司排挤降级为巡警， 不过边涯的性格比林丹冷静温和得多，对于林丹的愤而辞职，边涯也竭力想劝解挽留他，只是林丹已经对警界已经完全失去信心，在告诫边涯要好好保重后就翩然而去。端木凌风（邹兆龙扮演）是一个外表斯文但手段残忍的黑帮人物，为了寻找失传已久的圣堂古璧， 不惜杀人放火。而传说中的圣堂古璧已经分成三块，分别属于江上飞、孟少白和程庭芳三个少年男女。因为古璧，孟少白和程庭芳的养父先后遇害，而这三个少年男女加上庭芳的弟弟四人一起遭到来自端木凌风座下杀手以及早被端木收买的边涯的警队上司陆组长的双方面追杀。卷入这起风波的边涯数次搭救了孩子们。而自端木凌风方面，也屡屡派出强大的杀手去追杀他们，幸亏身手超卓的林丹及时出现，狠狠教训了凶恶的杀手。影片最后，丛林中的孩子们和边涯终于找到了传说中装着宝藏的箱子，然而端木凌风率手下赶来，横加抢夺，一场恶斗，林丹赶到时，边涯已经奄奄一息，临死前恳求林丹替自己照顾孩子们，亲见最好朋友在自己眼前垂死一刻，林丹悲愤填胸，与端木凌风生死决战…

安德鲁·加菲尔德、玛雅·霍克(《小妇人》)、纳特·伍尔夫(《死亡笔记》《星运里的错》)、詹森·舒瓦兹曼(《布达佩斯大饭店》)将主演吉亚·科波拉导演的爱情片《主流》(Mainstream)，今年底开拍。吉亚是大导演弗朗西斯·福特·科波拉的孙女，索菲亚·科波拉的侄女，此前献出了导演首秀《Palo Alto》。《主流》讲述一段三角恋，以及一个警示故事——在瞬息万变的网络年代，你如何保护自己的身份。吉亚·科波拉将担任该片导演和编剧，Fred Berger(《爱乐之城》)等任制片人。

A once promising baseball star is constantly hunted by two hitmen when a young boy asks him to sell his baseball jacket. A high school student acquires a sleep control device to help him with his exams, and ends up getting more acquainted with the seller in the process. A prison guard buys a guitar and plays one last song with a rock band after he finds out that his number has been called up… to be an executioner. An English tutor and amateur journalist investigating a murder case makes an offer to gain information on the involvement of … a once promising baseball star.GOOD DEAL is a woven tapestry of the interconnected lives of people striving through the day-to-day of contemporary Korean society. Quite a spectrum of themes are covered: romance, crime, sports, famly, work, and even Russian literature! As each of its characters seek to make a “deal” with another person to help them stay ahead or even stay alive, they find their interactions much more involved and complex than they first thought. Written and directed by Cho Kyuong-ho, the film mixes wickedly dark humor and sincere sentimentality through its interwoven yet still seamlessly linear style of storytelling.