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一条生活在海洋里的马鲛鱼被渔网捕捉，而后被困在了一家海鲜餐馆的水箱里。从那以后她不屈不挠地寻找逃脱的方法。跟水箱里其他来自渔场的鱼不同，悲观的怀疑论者“老比目鱼”也生长在大海。作为水箱里幸存时间最长的一条鱼，他凭借其生存之道控制着其他的鱼。对他而言，马鲛鱼试图逃出水箱的举动已经对他的统治构成了威胁。

桃花堡堡主花如令（夏志祥饰）六十寿诞大宴在即，宴请江湖五大掌门人及众位武林人士，齐聚毓秀山庄。寿宴前夕，花如令为儿子花满楼（张智尧饰）安排了一场除去心中魔怔的局。十五年前，花满楼被铁鞋大盗所害，双目失明。即使花如令已联合江湖五大门派将铁鞋大盗铲除，但十几年来花满楼却饱受心理魔怔的折磨。为在有生之年帮儿子驱走魔怔，花如令请来陆小凤（张智霖饰）假扮铁鞋大盗，成全花满楼亲手铲除仇人的心愿。本片根据古龙的武侠小说《陆小凤传奇》改编而成，但并非原著系列故事之一。《铁鞋传奇》根据原著的人物性格和故事情节，既忠于古龙先生的原著，又在此基础上加以艺术化的整理和演绎，环环紧扣，高潮迭起，把古龙笔下最快意恩仇的《陆小凤传奇之铁鞋传奇》呈现于荧屏。

夜，静谧的沙漠之中，盲人女孩Rena和导盲犬收到了来自未来的陌生电话，导盲犬引导着Rena看到了她想象之中的未来城市景观。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.