中国僵尸大战2

单亲家庭出身的16岁女学生佩佩（黄尧 饰），她的城市既是香港、也是深圳，白天在香港上学，晚上回到深圳跟妈妈（倪虹洁 饰）住在一起，频繁地穿梭于两地。为了和闺蜜Joe（汤加文 饰）一起旅行的约定，为了自己的存在感，为了对Joe男友阿豪（孙阳 饰）懵懂的好感，她内心的冲动被点燃，“水客”成为了她的另一个身份，一段颇有“冒险”感的青春故事就此开始。

上海市下岗女工周若敏（张芝华）无意中发现在某所大学任教师的丈夫赵先生（施京明）与从前的女学生田静（陈怡南）在搞婚外情时，于深夜对丈夫实施了凌厉攻势，要他在她与情人之间做出选择，赵先生不置可否。第二日，田静告诉赵先生说她已怀上他的孩子，也要赵先生给个交代，赵先生依旧含糊其辞。赵先生的不表态令田静非常伤心，赶去医院做了人工流产，闻讯赶来的赵先生在手术室外与田静的一位朋友交谈时渐处下风落荒而逃，在街上被卡车撞倒成为植物人。此时，他脑子里不再有妻子和情人，代替她们出现的是赵先生出车祸前一晚在办公室无意间邂逅的异地美丽女子（蒋雯丽）。

一个人没有赶上公交车，失望的他突然发现周围的街道有了色彩和生命。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.