长月拉姆

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

老顾头（黄宗洛 饰）是个离休的八路军老战士，每日在家含儿弄孙、颐养天年。偶然间，他得知自己战争年代的旧情人陈云花（秦臻 饰）仍活在世上，并热心着公益事业，不由感慨万分。有心和儿子顾小舟（王学圻 饰）倾诉，无奈他天天忙到脚打后脑勺，根本无暇顾及。战争岁月的点点滴滴激发起老顾头对往事的追忆，他不辞而别，去寻访当年的亲人。他的出走打乱了一家原有的平静生活，四处找寻无果，小舟判断父亲去了故乡沂蒙山，随即请假追寻。不辞辛苦来到沂蒙山的老顾头发现，云花已于去年离世，他深感悲痛。在云花的墓前，小舟看到了白发苍苍的父亲......本片于1987年获苏联第十届亚非拉电影节银奖。1989年意大利第十二届萨尔索影视节评委会特别奖。

这部纪录片电影由“黄色大门电影俱乐部”成员现身说法，回顾了成为韩国第一代影迷的狂热电影爱好者的时代，并回忆了对奉俊昊执导的第一部短片的印象。

电影《鬼门》讲述了1990年发生集体杀人事件后，流淌着巫师血液的心灵研究所所长和好奇心强大的大学生们踏足被封闭的鬼舍利修炼院而发生的恐怖故事。